Rembrandt (Rembrandt van Rijn)
Rembrandt van Rijn stands among the defining figures of the Dutch Golden Age, and his name is inseparable from the rise of the etched print as an expressive medium in its own right. Alongside painting, he worked above all in etching and drypoint, and his range runs from intimate religious scenes and figures to nudes, landscapes and studies of character. The 325 sheets gathered here trace that printmaking practice across the seventeenth century, with impressions reaching as far as the years around his death in 1665, complemented by a smaller group of paintings on canvas.
325 works in the collection · All public domain (CC0)
The Angel Appearing to the Shepherds (Etching)
· Etching
Christ and the Woman of Samaria among Ruins
· Etching
Jan Uytenbogaert
· Etching and drypoint
The Beheading of John the Baptist
· Etching and drypoint
Old Man with a Divided Fur Cap (Etching)
· Etching
The Presentation in the Temple: Oblong Plate
· Etching
Cornelis Claesz Anslo, Preacher
· Etching and drypoint; third of five states
Ephraim Bonus, Jewish Physician
· Etching, engraving and drypoint; second of two states
Landscape with a Cow Drinking
· Etching and drypoint; reworked by Claude-Henri Watelet; third of five states
The Adoration of the Shepherds: with the Lamp
· Etching and drypoint, plate tone; first of three states
Portrait of Lieven Willemsz van Coppenol
· Oil on oak
Woman Reading
1606–69 · Pen and brown ink, brush and brown wash; framing lines in pen and brown ink
St. Peter and St John Healing the Paralytic
1606–69 · Pen and brown ink, brush and brown wash; framing lines in pen and brown ink
Zacharias and the Angel
1606–69 · Pen and brown ink, brush and brown wash, with indications of black chalk
Study for a Pietà
1606–69 · Pen and brown ink
Potiphar's Wife Accusing Joseph Before her Husband
1620–69 · Pen and brown ink, brush and brown wash; framing lines in pen and brown ink
Old Man in Profile
1620–69 · Pen and brown ink, brush and brown wash; framing lines in pen and brown ink
Rest on the Flight into Egypt (1620–69)
1620–69 · Pen and brown ink; framing lines in dark brown ink
Young Man, Half-Length
1620–69 · Etching
Return of the Prodigal Son
1620–69 · Etching, pen and ink
The Artist's Mother: Head and Bust, Three-Quarters Right
1628 · Etching; New Holl. second state of four
The Artist's Mother: Head and Bust Three Quarters Right
1628 · Etching; New Holl.'s second state of four
A Cavalry Fight
1629 · Etching; second state of two
Beggar Man and Beggar Woman Conversing
1630 · Etching; New Holl. second state of three
Bust of an Old Man with a Flowing Beard: the Head Bowed Forward: Left Shoulder Unshaded
1630 · Etching
Bust of an Old Man with Flowing Beard: the Head Inclined Three-Quarters Right
1630 · Etching; New Holl.'s first state of two
A Man Making Water (1630)
1630 · Etching; New Holl.'s fourth state of five
Polander Standing with Arms Folded
1630–40 · Etching
Bust of an Old Bearded Man Looking Down, Three-Quarters Right
1631 · Etching; third state of three
The Artist's Mother with Her Hand on Her Chest (1631)
1631 · Etching; New Holl's fourth state of six
The Persian (1632, Met-Objekt 5082)
1632 · Etching; New Holl.'s second state of three
The Persian (1632, Met-Objekt 5208)
1632 · Etching; New Holl.'s first state of three
Man in a Turban
1632 · Oil on canvas
Portrait of a Man, probably a Member of the Van Beresteyn Family
1632 · Oil on canvas
Portrait of a Man (1632)
1632 · Oil on wood
Portrait of a Woman, probably a Member of the Van Beresteyn Family
1632 · Oil on canvas
Old Man Leaning on a Stick
1632–35 · Pen and brown ink
The Good Samaritan (1633, Met-Objekt 5142)
1633 · Etching, engraving and drypoint; first state of four
Descent from the Cross (1633)
1633 · Etching and burin
The Good Samaritan (1633, Met-Objekt 5170)
1633 · Etching, engraving and drypoint; fourth state of four
The Good Samaritan (1633, Met-Objekt 5178)
1633 · Etching, engraving and drypoint; fourth state of four
The Good Samaritan (1633, Met-Objekt 5190)
1633 · Etching, engraving and drypoint; fourth state of four
Jan Cornelis Sylvius
1633 · Etching
Bellona
1633 · Oil on canvas
Portrait of a Woman (1633)
1633 · Oil on wood
Portrait of a Young Woman with a Fan
1633 · Oil on canvas
St. Jerome Reading
1634 · Etching
Self-Portrait with Plumed Cap and Lowered Sabre
1634 · Etching; second state of three
The Angel Appearing to the Shepherds (1634, Met-Objekt 5157)
1634 · Etching and drypoint; third state of three
The Angel Appearing to the Shepherds (1634, Met-Objekt 5211)
1634 · Etching, burin, and drypoint; third state of three
Rembrandt with Raised Sabre
1634 · Etching with touches of burin
Saskia with Pearls in Her Hair
1634 · Etching
A Peasant Calling Out: "T is vinnich kout"
1634 · Etching
A Peasant Replying: "Dats niet"
1634 · Etching
Christ at Emmaus: The Smaller Plate
1634 · Etching with touches of drypoint
The Last Supper, after Leonardo da Vinci
1634–35 · Red chalk
Christ Driving the Money Changers from the Temple
1635 · Etching
The Great Jewish Bride
1635 · Etching; second state of five
The Remonstrant Preacher Johannes Uytenbogaert
1635 · Etching and burin; octagonal plate; fourth state of six
The Stoning of St. Stephen (1635, Met-Objekt 5267)
1635 · Etching
The Stoning of St. Stephen (1635, Met-Objekt 5268)
1635 · Etching
Christ Driving the Money-Changers from the Temple
1635 · Etching
The Pancake Woman (1635, Met-Objekt 5277)
1635 · Etching
The Pancake Woman (1635, Met-Objekt 5278)
1635 · Etching
The Pancake Woman (1635, Met-Objekt 5279)
1635 · Etching
The Pancake Woman (1635, Met-Objekt 5280)
1635 · Etching
The Pancake Woman (1635, Met-Objekt 5281)
1635 · Etching
St. Jerome in Prayer
1635 · Etching
Seated Man Wearing a Flat Cap
1635–40 · Pen and brown ink, brush and brown wash, heightened with white gouache; framing lines in pen and brown ink
Two Studies of a Woman Reading
1635–40 · Pen and brown iron-gall ink
Self-Portrait (1635–40)
1635–40 · Pen and brown ink, brush and brown and gray ink, brown and gray washes.
The Return of the Prodigal Son
1636 · Etching
Studies of the Heads of Saskia and Others
1636 · Etching; first of two states
Christ Before Pilate: the large plate
1636 · Etching; fourth state of five
Rembrandt's Wife and Five Other Heads
1636 · Etching
Self-Portrait with Saskia
1636 · Etching
Studies of the Head of Saskia and Others
1636 · Etching
Abraham Casting out Hagar and Ishmael
1637 · Etching with touches of drypoint
Abraham Casting Out Hagar and Ishmael
1637 · Etching
Bearded Man in a Velvet Cap with a Jewel Clasp
1637 · Etching
Young Man in a Velvet Cap (1637, Met-Objekt 5295)
1637 · Etching
Young Man in a Velvet Cap (1637, Met-Objekt 5296)
1637 · Etching
Joseph Telling His Dreams
1638 · Etching; third state
Self-Portrait in a Velvet Cap with Plume (1638, Met-Objekt 5297)
1638 · Etching
Self-Portrait in a Velvet Cap with Plume (1638, Met-Objekt 5298)
1638 · Etching
Self-Portrait Leaning on a Stone Sill
1639 · Etching, drypoint and burin; second state of two
The Death of the Virgin (1639, Met-Objekt 5158)
1639 · Etching and drypoint
Self-Portrait, Leaning on a Stone Wall
1639 · Etching
The Death of the Virgin (1639, Met-Objekt 5197)
1639 · Etching and drypoint; fourth of five states
Jan Uytenbogaert (The Gold Weigher)
1639 · Etching and drypoint
Death Appearing to a Wedded Couple from an Open Grave
1639 · Etching
A Peasant in a High Cap, Standing Leaning on a Stick
1639 · Etching; second state of two
Old Man with Divided Fur Cap
1640 · Etching with some drypoint; first state
Old Man with a Divided Fur Cap (1640)
1640 · Etching with some drypoint; first state of two
Herman Doomer
1640 · Oil on wood
The Wedding Night of Tobias and Sarah
1640–49 · Pen and brown ink, brush and brown wash; framing lines in pen and brown ink
The Meeting of Jacob and Rachel at the Well
1640–49 · Pen and brown ink, brush and brown wash, heightened with white gouache, with framing line in pen and brown ink
Cornelis Claesz Anslo, Mennonite Preacher
1641 · Etching; second of five states
The Baptism of The Eunuch
1641 · Etching, touches of gray wash; second of four states
The Windmill (1641, Met-Objekt 5143)
1641 · Etching, with touches of drypoint
Landscape with a Cottage and a Haybarn
1641 · Etching, with touches of drypoint
Man at a Desk Wearing a Cross and Chain
1641 · Etching and drypoint
Three Oriental Figures (Jacob and Laban?)
1641 · Etching; second of two states
The Angel Departing from the Family of Tobias (1641, Met-Objekt 5304)
1641 · Etching and drypoint; eighth of nine states
The Angel Departing from the Family of Tobias (1641, Met-Objekt 5305)
1641 · Etching and drypoint; eighth of nine states
The Virgin and Child in the Clouds
1641 · Etching and drypoint; first of two states
Portrait of a Boy, in Profile
1641 · Etching; second of two states
Man at Desk, Wearing Cross and Chain
1641 · Etching and drypoint; fourth of five states
The Angel Leaving the Family of Tobias
1641 · Etching; third of nine states
The Windmill (1641, Met-Objekt 5448)
1641 · Etching; impression with chimney added to the cottage in the center
The Flute Player
1642 · Etching and drypoint; fourth of four states
The Raising of Lazarus, small plate
1642 · Etching; first of two states
The Raising of Lazarus: The Smaller Plate
1642 · Etching, with touches of drypoint; second of two states
St. Jerome in a Dark Chamber
1642 · Etching, engraving, and drypoint; second of three states
The Three Trees
1643 · Etching, engraving and drypoint
The Toilet of Bathsheba
1643 · Oil on wood
Satire on Art Criticism
1644 · Pen and brown ink corrected with white.
Cottage near the Entrance to a Wood
1644 · Pen and inks ranging from light to dark brown, brown washes, corrected in white (oxidized, partially abraded), and touches of red chalk (in added structures to the left of the main cottage).
Abraham and Isaac
1645 · Etching, plate tone; first of two states
The Omval
1645 · Etching and drypoint; second state of two
The Rest on the Flight into Egypt; lightly etched
1645 · Etching and drypoint
Jan Cornelisz. Sylvius, preacher
1646 · Etching, drypoint, and burin; second of two states
Nude Man Seated before a Curtain
1646 · Etching
Study from the Nude: Man Seated on Ground, with One Leg Extended
1646 · Etching and engraving; second of two states
Ephraim Bueno, Jewish Physician (1647, Met-Objekt 5180)
1647 · Etching, drypoint, and burin; second of two states
Jan Six (1647, Met-Objekt 5203)
1647 · Etching, drypoint, burin; fifth of five states
Ephraim Bueno, Jewish Physician (1647, Met-Objekt 5204)
1647 · Etching, engraving and drypoint; second of two states
Jan Six (1647, Met-Objekt 5210)
1647 · Etching, drypoint, burin; fifth of five states
Jan Six (1647, Met-Objekt 5326)
1647 · Etching, engraving and drypoint; fifth of five states
St. Jerome beside a Pollard Willow
1648 · Etching and drypoint; fourth of four states
Self-Portrait Etching at a Window
1648 · Etching, drypoint, and burin; fourth of nine states
The Hundred Guilder Print
1648 · Etching, engraving, and drypoint; second state of two
The Synagogue
1648 · Etching and drypoint; second of nine states
The Blind Hurdy-Gurdy Player and Family Receiving Alms
1648 · Etching and drypoint; third of five states
Cottage with a White Paling
1648 · Etching and drypoint; third of three states
Beggars Receiving Alms at the Door of a House
1648 · Etching, burin, drypoint; third of five states
Jews in a Synagogue (1648, Met-Objekt 5328)
1648 · Etching and drypoint; second of nine states
Jews in a Synagogue (1648, Met-Objekt 5329)
1648 · Etching and drypoint; fourth of nine states
Medea: or The Marriage of Jason and Creusa
1648 · Etching with touches of drypoint; fifth state of five
Portrait of a Man Holding Gloves
1648 · Oil on wood
Landscape with Three Gabled Cottages Beside a Road (1650, Met-Objekt 5126)
1650 · Etching and drypoint; third of three states
Landscape with Three Gabled Cottages Beside a Road (1650, Met-Objekt 5132)
1650 · Etching and drypoint; third of three states
Canal with an Angler and Two Swans
1650 · Etching and drypoint; second state of two
Canal with a Large Boat and a Bridge
1650 · Etching and drypoint; second state of two
Landscape with a Square Tower
1650 · Etching and drypoint; third of three states
Nathan Admonishing David
1650–55 · Pen and brown ink, heightened with white gouache
Man Leading a Camel
1650–69 · Pen and brown ink, traces of brush and brown wash
The Flight into Egypt: a Night Piece
1651 · Etching with plate tone; first state
Panorama near Bloemendael Showing the Saxenburg Estate
1651 · Etching and drypoint
The Blindness of Tobit
1651 · Etching with touches of drypoint; first of two states
Clement de Jonghe, Printseller (1651, Met-Objekt 5144)
1651 · Etching, drypoint, and engraving; first of six states
Clement de Jonghe, printseller
1651 · Etching, drypoint, and burin; fifth of ten states
The Bathers (1651, Met-Objekt 5338)
1651 · Etching
The Bathers (1651, Met-Objekt 5339)
1651 · Etching; third of three states
Clement de Jonghe, Printseller (1651, Met-Objekt 5394)
1651 · Etching
Clump of Trees with a Vista
1652 · Drypoint; second of two states
Christ Disputing with the Doctors; a sketch (1652, Met-Objekt 5194)
1652 · Etching and drypoin, framing line in pen and black injt; first of two states
Landscape with a Hay Barn and a Flock of Sheep
1652 · Etching and drypoint; second of two states
Christ Disputing with the Doctors; a sketch (1652, Met-Objekt 5212)
1652 · Etching and drypoint; variation on the first state of two
Landscape with a Haybarn and a Flock of Sheep
1652 · Etching and drypoint; second of two states
Cottages and a Hay Barn on the Diemerdijk with a Flock of Sheep
1652 · Etching and drypoint; second of two states
David in Prayer (facsimile)
1652 · Etching and drypoint (facsimile)
David in Prayer
1652 · Etching and drypoint
Christ Crucified between the Two Thieves: The Three Crosses (1653, Met-Objekt 5090)
1653 · Drypoint
Christ Crucified between the Two Thieves: The Three Crosses (1653, Met-Objekt 5111)
1653 · Drypoint printed on vellum
Christ Crucified Between the Two Thieves (The Three Crosses)
1653 · Drypoint
Aristotle with a Bust of Homer
1653 · Oil on canvas
Virgin and Child with the Cat: and Joseph at the Window
1654 · Etching; second of four states
Christ between His Parents, Returning from the Temple
1654 · Etching with drypoint
The Supper at Emmaus
1654 · Etching, burin and drypoint; first of two states
The Flight into Egypt: Crossing a Brook (1654, Met-Objekt 5110)
1654 · Etching, engraving and drypoint
Descent from the Cross by Torchlight (1654, Met-Objekt 5161)
1654 · Etching and drypoint; first of four states
The Golf-Player
1654 · Etching; first of two states
The Circumcision in the Stable
1654 · Etching: third of five states
The Flight into Egypt: Crossing a Brook (1654, Met-Objekt 5352)
1654 · Etching, engraving and drypoint
Christ Seated Disputing with the Doctors
1654 · Etching, possibly with touches of dry point
Christ Returning from the Temple with His Parents
1654 · Etching and drypoint
Descent from the Cross by Torchlight (1654, Met-Objekt 5355)
1654 · Etching and drypoint; first of four states
Christ at Emmaus: The Larger Plate
1654 · Etching, burin, and drypoint, some hatching with a mezzotint rocker; fourth of four states
The Ringball Player (Het Klosbaantje)
1654 · Etching; second of two states
The Standard Bearer (probably Floris Soop, 1604–1657)
1654 · Oil on canvas
Christ Presented to the People (1655, Met-Objekt 5087)
1655 · Drypoint on Japanese paper; second state of eight
Christ Presented to the People (1655, Met-Objekt 5119)
1655 · Drypoint; eighth state of eight
Christ Presented to the People (1655, Met-Objekt 5133)
1655 · Drypoint on Japanese paper; fourth state of eight
Pieter Haaringh ('Young Haaringh')
1655 · Etching, drypoint, and burin, light plate tone; first of fsix states
Abraham's Sacrifice (1655, Met-Objekt 5206)
1655 · Etching and drypoint
Abraham's Sacrifice (1655, Met-Objekt 5357)
1655 · Etching and drypoint
The Image Seen by Nebuchadnezzar
1655 · Etching, burin, and drypoint; third of five states
Jacob's Ladder (1655, Met-Objekt 5359)
1655 · Etching, burin, and drypoint; first of four states
David and Goliath (1655)
1655 · Etching, burin, and drypoint, some plate tone; first of five states
The Goldsmith (1655, Met-Objekt 5361)
1655 · Etching and drypoint; first of three states
The Goldsmith (1655, Met-Objekt 5362)
1655 · Etching and drypoint; first of three states
Jacob's Ladder (1655, Met-Objekt 5400)
1655 · Etching, engraving and dry point; second of four states
Abraham Entertaining the Angels
1656 · Etching with drypoint, very light plate tone
Jan Lutma
1656 · Etching, engraving, and drypoint on Japanese paper; first of four states
Jan Lutma, goldsmith
1656 · Etching, engraving and drypoint; first of four states
Christ Appearing to the Apostles
1656 · Etching and drypoint, very light plate tone
Jan Lutma, Goldsmith (1656, Met-Objekt 5363)
1656 · Etching, engraving and drypoint; first of four states
Jan Lutma, Goldsmith (1656, Met-Objekt 5364)
1656 · Etching, engraving and drypoint; fourth of four states
Saint Francis beneath a Tree, Praying
1657 · Drypoint and etching, some plate tone; second state of two states
Reclining Female Nude
1658 · Etching, drypoint, and engraving on Japanese paper; second of six states
Portrait of Lieven Willemsz van Coppenol, Writing Master (the larger plate)
1658 · Etching and drypoint; fourth state
Christ and the Woman of Samaria: an Arched Print
1658 · Etching and drypoint, some plate tone; third of five states
Woman Sitting Half-Dressed beside a Stove (1658, Met-Objekt 5370)
1658 · Etching, burring, and drypoint
Woman Sitting Half-Dressed beside a Stove (1658, Met-Objekt 5371)
1658 · Etching, burring, and drypoint; sixth of seven states
Woman at the Bath with a Hat beside Her
1658 · Etching and drypoint, plate tone; second of two states
Woman Bathing Her Feet at a Brook (1658, Met-Objekt 5373)
1658 · Etching and drypoint, first of two states
Woman Bathing Her Feet at a Brook (1658, Met-Objekt 5374)
1658 · Etching and drypoint, heavy plate tone; first of two states
Woman Bathing her Feet at a Brook
1658 · Etching and drypoint; first of two states
Peter and John Healing the Cripple at the Gate of the Temple (1659, Met-Objekt 5174)
1659 · Etching, engraving, and drypoint; second of six states
Peter and John Healing the Cripple at the Gate of the Temple (1659, Met-Objekt 5375)
1659 · Etching, drypoint, burin, and mezzotint; fifth of six states
Self-Portrait (1660)
1660 · Oil on canvas
Elsje Christiaens Hanging on a Gibbet (1664, Met-Objekt 5089)
1664 · Pen and brown ink, brush and brown wash
Elsje Christiaens Hanging on a Gibbet (1664, Met-Objekt 5436)
1664 · Pen and brown ink, brush and grayish brown wash on heavy brownish paper
Portrait of Gerard de Lairesse
1665–67 · Oil on canvas
Landscape With Two Mills
17th century · Black chalk
Saint Jerome Praying in His Study
17th century · Pen and brown ink, brush and brown wash with touches of white and red chalk
The Entombment, after Mantegna
17th century · Pen and brown ink, brush and brown wash, over red chalk, heightened with white
Standing Oriental Figure
17th century · Pen and brown ink
Head of a Rat Catcher
17th century · Etching
Self-Portrait in a Fur Cap: Bust
18th century · Etching
The Artist's Mother with Her Hand on Her Chest (18th century)
18th century · Etching
The Artist's Mother Seated at a Table, Looking Left: Three Quarter Length
after 1631 · Etching
The Circumcision
ca. 1625 · Etching
Beggar in a High Cap, Standing and Leaning on a Stick
ca. 1629 · Etching, New Holl. second state of two
The Small Lion Hunt (with One Lion)
ca. 1629 · Etching
Man Crying Out, Three-Quarters Left: Bust
ca. 1629 · Etching; New Holl.'s seventh state of seven
Old Beggar Woman with a Gourd
ca. 1629 · Etching; second state of two
Turbaned Soldier on Horseback
ca. 1629 · Etching; New Holl.'s second state of two
Man in a Coat and Fur Cap Leaning against a Bank
ca. 1630 · Etching, New Holl. first state of three
Beggar with a Wooden Leg (ca. 1630, Met-Objekt 5122)
ca. 1630 · Etching; New Holl. first state of four
Beggar Leaning on a Stick, Facing Left
ca. 1630 · Etching
Beggar Seated Warming His Hands at a Chafing Dish
ca. 1630 · Etching; second state of two
Beggar with a Wooden Leg (ca. 1630, Met-Objekt 5227)
ca. 1630 · Etching, New Holl. second state of four
Man in a Cloak and Fur Cap, Leaning against a Bank
ca. 1630 · Etching
The Circumcision: Small Plate
ca. 1630 · Etching and touches of drypoint
The Artist's Mother Seated at a Table Looking Right: Three-Quarter Length
ca. 1631 · Etching; New Holl.'s second state of three
Old Man with Beard, Fur Cap, and Velvet Cloak (ca. 1631, Met-Objekt 5244)
ca. 1631 · Etching; second state
Old Man with Beard, Fur Cap, and Velvet Cloak (ca. 1631, Met-Objekt 5245)
ca. 1631 · Etching; second state
Old Man with Beard, Fur Cap, and Velvet Cloak (ca. 1631, Met-Objekt 5246)
ca. 1631 · Etching; third state
The Raising of Lazarus: The Larger Plate (ca. 1632, Met-Objekt 5151)
ca. 1632 · Etching and engraving; New Holl.'s seventh state of nine
The small lion hunt, with two lions
ca. 1632 · Etching; second of two states
The Raising of Lazarus: The Larger Plate (ca. 1632, Met-Objekt 5249)
ca. 1632 · Etching and engraving; New Holl.'s fifth state of nine
The Ship of Fortune
ca. 1633 · Etching; second state of two
Joseph's Coat Brought to Jacob (ca. 1633, Met-Objekt 5253)
ca. 1633 · Etching and drypoint; first state of two
Joseph's Coat Brought to Jacob (ca. 1633, Met-Objekt 5254)
ca. 1633 · Etching; second state of two
The Fourth Oriental Head
ca. 1635 · Etching; second state of three
The Crucifixion: Small Plate
ca. 1635 · Etching
The Old Bearded Man in a High Fur Cap, with Eyes Closed (ca. 1635, Met-Objekt 5273)
ca. 1635 · Etching
The Old Bearded Man in a High Fur Cap, with Eyes Closed (ca. 1635, Met-Objekt 5274)
ca. 1635 · Etching
The Strolling Musicians
ca. 1635 · Etching
Two Cottages
ca. 1636 · Pen and brown ink (gallnut ink, possibly only partially), corrected with white chalk and/or body color.
Study Sheet with Three Women and a Boy
ca. 1638–39 · Pen and brown ink
Old Man Shading His Eyes with His Hand
ca. 1639 · Etching and drypoint
View of Amsterdam from the Northwest
ca. 1640 · Etching
The Triumph of Mordecai (ca. 1641)
ca. 1641 · Etching and drypoint
Cottage beside a Canal with a View of Ouderkerk
ca. 1641 · Etching and drypoint
Christ Crucified Between Two Thieves; oval plate
ca. 1641 · Etching and drypoint; first state of two
Cottage Beside a Canal with a View of Ouderkerk (counterproof)
ca. 1641 · Etching and drypoint
Sheet of Studies with a Woman Lying Ill in Bed, etc.
ca. 1641/42 · Etching
Sheet with Two Studies: A Tree and the Upper Part of a Head of Rembrandt Wearing a Velvet Cap
ca. 1642 · Etching; only state
Self-Portrait in a Flat Cap and Embroidered Dress
ca. 1642 · Etching; second state of two
The Spanish Gipsy "Preciosa"
ca. 1642 · Etching
Student at a Table by Candlelight
ca. 1642 · Etching; first of two states
The Sleeping Herdsman
ca. 1644 · Etching and drypoint
Cottages and Farm Buildings with a Man Sketching
ca. 1645 · Etching
Christ Carried to the Tomb
ca. 1645 · Etching and drypoint
Old Man in Meditation, Leaning on a Book
ca. 1645 · Etching and drypoint; second of two states
Nude Man Seated and Another Standing, with a Woman and a Baby Lightly Etched in Background
ca. 1646 · Etching; fifth of eight states
Jan Asselijn, Painter (Krabbetje) (ca. 1646, Met-Objekt 5324)
ca. 1646 · Etching, drypoint, and burin; second of seven states
Jan Asselijn, Painter (Krabbetje) (ca. 1646, Met-Objekt 5325)
ca. 1646 · Etching, drypoint, and burin; fifth state of seven states
Jan Asselijn, Painter (Krabbetje) (ca. 1647)
ca. 1647 · Etching, drypoint, and burin (some plate tone); first of seven states
Group of Farm Buildings
ca. 1648–52 · Pen and brown ink, brush and brown wash, corrected with white gouache, on paper washed with brown
Cottage among Trees
ca. 1650 · Pen and brown ink, brush and brown wash, on paper washed with brown
Cottage and Boundary Post on the Spaarndammerdijk ('L'Obelisque')
ca. 1650 · Etching and drypoint; second of two states
View of the Diemerdijk with a Milkman and Cottages ('Het Melkboertje')
ca. 1650 · Etching and drypoint; third of three states
Landscape with Trees, Farm Buildings, and a Tower
ca. 1651 · Etching and drypoint; fourth of four states
The Star of Kings: A Night Piece
ca. 1651 · Etching and drypoint
Houses by the Water
ca. 1652 · Pen and brown ink; framing lines in pen and brown ink
Faust (ca. 1652, Met-Objekt 5128)
ca. 1652 · Etching, drypoint, and engraving; first of seven states
Faust (ca. 1652, Met-Objekt 5169)
ca. 1652 · Etching; first of seven states
A Scholar in His Study ('Faust')
ca. 1652 · Etching, drypoint, and burin; fifth of seven states
Landscape with a Farmhouse Along a Road Beside a Canal
ca. 1652 · Drypoint
Peasant Family on the Tramp
ca. 1652 · Etching; second of three states
Faust (ca. 1652, Met-Objekt 5345)
ca. 1652 · Etching, engraving and drypoint; first of seven states
Faust (ca. 1652, Met-Objekt 5346)
ca. 1652 · Etching, engraving and dry point; fourth of seven states
Faust (ca. 1652, Met-Objekt 5347)
ca. 1652 · Etching, engraving, drypoint; sixth of seven states
The Agony in the Garden (ca. 1652, Met-Objekt 5366)
ca. 1652 · Etching and drypoint, some plate tone; first of three states
The Agony in the Garden (ca. 1652, Met-Objekt 5367)
ca. 1652 · Etching and drypoint, some plate tone; first of three states
The Agony in the Garden (ca. 1652, Met-Objekt 5368)
ca. 1652 · Etching and drypoint; first of three states
St. Jerome Reading in an Italian Landscape
ca. 1653 · Etching, drypoint, and engraving on oatmeal paper; second state of two
Flight into Egypt: Altered from Tobias and the Angel
ca. 1653 · Etching reworked with drypoint and burin by Rembrandt; fifth of six states
Landscape with a shepherd and a dog
ca. 1653 · Etching and drypoint; second of two states
The Presentation in the Temple in the Dark Manner
ca. 1654 · Etching and drypoint
The Entombment (ca. 1654, Met-Objekt 5145)
ca. 1654 · Etching and drypoint ; first of four states
The Entombment (ca. 1654, Met-Objekt 5146)
ca. 1654 · Etching, drypoint, and engraving; second of four states
The Adoration of the Shepherds, with the lamp
ca. 1654 · Etching; first of three states
Flora (ca. 1654)
ca. 1654 · Oil on canvas
Thomas Haaringh (Old Haaringh)
ca. 1655 · Drypoint and burin; third of three states
Portrait of a Man (ca. 1655–60)
ca. 1655–60 · Oil on canvas
Abraham Francen, Apothecary
ca. 1656 · Etching, engraving, and drypoint, shading with mezzotint rocker; tenth of twelve states
Adoration of the Shepherds: A Night Piece
ca. 1657 · Etching, fifth state
Christ Preaching, called La Petite Tombe
ca. 1657 · Etching, engraving, and drypoint; first of two states
Lieven Willemsz van Coppenol with his Grandson
ca. 1658 · Etching and drypoin, plate darkened with mezzotint rockert; sixth of seven states
Christ Crucified between the Two Thieves: The Three Crosses (ca. 1660)
ca. 1660 · Drypoint
The Artist's Son, Titus (copy)
ca.1656 · Etching
Man with a Magnifying Glass
early 1660s · Oil on canvas
Woman with a Pink
early 1660s · Oil on canvas
A Woman Making Water
late 18th/early 19th century · Etching
Hendrickje Stoffels (1626–1663)
mid-1650s · Oil on canvas
Old Woman Sleeping (copy)
n.d. · Etching
Christ Before Pilate: The Large Plate (copy in reverse of center)
n.d. · Etching
Joseph Telling His Dreams (reverse copy)
n.d. · Etching
The Windmill (reverse copy)
n.d. · Etching; copy a
Abraham and Isaac (reverse copy)
n.d. · Etching; copy b II
Jan Cornelis Sylvius, Preacher (reverse copy)
n.d. · Etching, signatures trimmed off (?); copy c I
Christ Preaching (La Petite Tombe) (copy)
n.d. · Etching
Inspector (reverse copy)
n.d. · Etching
Cupid Resting (copy)
n.d. · Etching and drypoint
Three Dromedaries
n.d. · Etching
Bust of an Old Man in a Coat and Fur Collar (copy)
n.d. · Etching
Bust of a Man in a Feathered Turban and Long Beard
n.d. · Etching
Lieven Willemsz van Coppenol, Writing Master: the Larger Plate (copy)
n.d. · Etching
The Triumph of Mordecai (n.d.)
n.d.
Portrait of Rembrandt as St. Paul
n.d.