Paul Gauguin
French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands
Paul Gauguin, a French artist of the Post-Impressionist era, is represented here by paintings and prints that range across portraits, Tahitian subjects and Breton motifs. His canvases are joined by woodcuts and zincographs, often printed in color, alongside a small group of etchings. The 67 works gathered in this archive span the years 1877 to 1901, with impressions up to that final date, and include such pieces as Hail Mary (Ia Orana Maria), Tahitian Faces and a walking stick carved with a female nude and a Breton sabot.
67 works in the collection · All public domain (CC0)
Still Life
· Oil on canvas
Human Misery, from the Volpini Suite: Dessins lithographiques
1889 · zincograph, on simili-Japan paper; second edition
Bathers in Brittany, from the "Volpini Suite: Dessins lithographiques"
1889 · Zincograph on chrome yellow wove paper; first edition
Bretonnes à la Barrière, from the "Volpini Suite: Dessins lithographiques"
1889 · Zincograph printed on yellow paper
The Grasshoppers and the Ants: A Souvenir of Martinique
1889 · Zincograph on chrome yellow wove paper; first edition
The Drama of the Sea, Brittany
1889 · Zincograph on chrome yellow wove paper; first edition
The Drama of the Sea
1889 · Zincograph on chrome yellow wove paper; first edition
The Joys of Brittany, from the "Volpini Suite: Dessins lithographiques"
1889 · Zincograph on chrome yellow wove paper; first edition
Washerwomen, from the "Volpini Suite: Dessins lithographiques"
1889 · Zincograph on chrome yellow wove paper; first edition
Leda
1889 · Zincograph, colored by hand with watercolor and gouache on chrome yellow wove paper; mounted on marbled paper applied to millboard (cover of print portfolio, trimmed)
Human Misery, from the "Volpini Suite: Dessins lithographiques"
1889 · Zincograph printed in brown ink on chrome yellow wove paper; first edition
Martinique Pastorals, from the "Volpini Suite: Dessins lithographiques"
1889 · Zincograph on yellow wove paper; first edition
Old Women of Arles, from the "Volpini Suite: Dessins lithographiques"
1889 · Zincograph on chrome yellow wove paper; first edition
Portrait of Stéphane Mallarmé
1891 · Etching
Ia Orana Maria (Hail Mary)
1891 · Oil on canvas
A Tahitian Woman with a Flower in Her Hair
1891–92 · Charcoal, pastel, red chalk, and wash
Tahitian Landscape
1892 · Oil on canvas
Tahitian Women Bathing
1892 · Oil on paper, laid down on canvas
Auti Te Pape (1893–94, Met-Objekt 733)
1893–94 · Woodcut printed in color on wove paper
Auti Te Pape (1893–94, Met-Objekt 734)
1893–94 · Woodcut on china paper
The Devil Speaks
1893–94 · Woodcut on china paper
The Devil Speaks (Mahna No Varua Ino), from Fragrance (Noa Noa)
1893–94 · Woodcut printed in color on Japanese paper
Spirit of the Dead Watching
1893–94 · woodcut printed in color on wove paper
Spirit of the Dead Watching (Manao Tupapau), from Fragrance (Noa Noa)
1893–94 · Woodcut on china paper
Maruru
1893–94 · Woodcut on China paper
Delightful Land (1893–94, Met-Objekt 746)
1893–94 · Woodcut printed in color on wove paper
Delightful Land (1893–94, Met-Objekt 747)
1893–94 · Woodcut printed in color on wove paper, lined in silk
Delightful Land (1893–94, Met-Objekt 748)
1893–94 · Woodcut printed in color on thin wove paper
Delightful Land (1893–94, Met-Objekt 749)
1893–94 · Woodcut on china paper
Here We Make Love (Te Faruru), from Fragrance (Noa Noa)
1893–94 · Woodcut printed in color on wove paper
Te Po (1893–94, Met-Objekt 756)
1893–94 · woodcut on wove paper
Te Po (1893–94, Met-Objekt 757)
1893–94 · Woodcut printed in color on wove paper lined with silk
Te Po (1893–94, Met-Objekt 758)
1893–94 · Woodcut, state II
The Universe is Created (L'Univers est créé), from Fragrance (Noa Noa)
1893–94 · Woodcut on china paper
The Universe Is Created (1893–94, Met-Objekt 761)
1893–94 · Woodcut printed in color on wove paper
The Universe Is Created (1893–94, Met-Objekt 762)
1893–94 · woodcut printed in color on wove paper
Fragrance (Noa Noa), from Fragrance (Noa Noa)
1893–94 · Woodblock (fruit wood) with traces of zinc white and ink
See Notes regarding wood identification.
Here we make love
1893–94 · Woodcut printed in color on wove paper
Noa Noa
1893–94, printed 1921 · Woodcut on China paper
Woman with Figs (1894)
1894 · Etching, lavis, and soft-ground etching on zinc, printed in green ink
Woman with Figs (1894, printed ca. 1963)
1894, printed ca. 1963 · Etching
la Orana Maria
1894–95 · Zincograph
The Day of God
1894–95 · Woodcut on china paper; edition in black ink on china paper
Fragrance (Noa Noa), small block
1894–95 · Woodcut printed in color on Japanese paper
Still Life with Teapot and Fruit
1896 · Oil on canvas
Three Tahitian Women
1896 · Oil on wood
The Queen of Beauty -- Langorous
1898 · Woodcut on transparent wove tissue paper laid down to bristol board
Women, Animals, and Foliage
1898 · Woodcut printed in black ink
Le Calvaire Breton
1898–99 · Woodcut on japan tissue
Eve (1898–99, Met-Objekt 737)
1898–99 · Woodcut on japan tissue
Human Misery
1898–99 · Woodcut on transparent laid tissue paper
Woodcut with a Horned Head
1898–99 · Woodcut on transparent laid tissue paper
Tahitian Carrying Bananas
1898–99 · woodcut on transparent wove tissue paper
Eve (1898–99, Met-Objekt 767)
1898–99 · Woodcut printed in black ink
Le Sourire
1899 · Woodcut on china paper
Two Tahitian Women
1899 · Oil on canvas
Two Women (1901 or 1902)
1901 or 1902 · Oil on canvas
Christ on the Cross
1926 · Rubbing on Japan paper
Spirit of the Dead Watching (Manao Tupapau), from "L'Estampe Originale"
April–June 1894 · Zincograph
Le Sourire; Taiti (Smile; Tahiti)
December 1899 · woodcut on transparent laid tissue paper
Emile Gauguin (1874–1955), the artist's son
ca. 1877–78 · Marble
Vessel with Women and Goats
ca. 1887–89 · Stoneware
Walking stick with a female nude and a Breton sabot on the handle
ca. 1888–90 · Boxwood, mother-of-pearl [Pinctada margaritifera (black-lip pearl oyster)], glass, and iron
The Siesta
ca. 1892–94 · Oil on canvas
Hail Mary (Ia Orana Maria)
ca. 1893–95 · Fabricated charcoal, red chalk, and white pastel on formerly blue wove paper, mounted on millboard with strips of rose-colored wove paper along two edges
A Farm in Brittany
ca. 1894 · Oil on canvas
Tahitian Faces (Frontal View and Profiles)
ca. 1899 · Charcoal on laid paper