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← Henri de Toulouse-Lautrec Henri de Toulouse-Lautrec — Réjane and Galipaux, in Madame Sans-Géne (1893, Met-Objekt 858)

Réjane and Galipaux, in Madame Sans-Géne (1893, Met-Objekt 858)

Original title: Réjane and Galipaux, in Madame Sans-Géne

Artist
Henri de Toulouse-Lautrec
Date
1893
Medium
Crayon lithograph printed in black ink on wove paper; only state
Dimensions
Image: 12 3/8 × 10 1/4 in. (31.5 × 26 cm) Sheet: 12 1/8 × 9 7/8 in. (30.8 × 25.1 cm)
Credit line
Bequest of Clifford A. Furst, 1958

kurzbeschreibung

Henri de Toulouse-Lautrec made this crayon lithograph in 1893, capturing two actors in a scene from the play Madame Sans-Gêne. The print was pulled in black ink on wove paper, and only one state exists. It freezes a lively moment from the stage action.

Description

Two main figures appear in a lively pose. The front person wears a hat and dress, arms outstretched, gaze directed to the right. The second figure on the right, also in a dress, seems to guide or support the first; her arms are extended as well. A third, merely suggested shape appears without detail in the background. The layout stresses movement and interaction, with even, shadowless light.

Context

The lithograph was made in 1893, the year Victorien Sardou's successful play Madame Sans-Gêne premiered. Audiences at the Théâtre du Vaudeville in Paris cheered the performance, and the actress Réjane became famous for her role. Lautrec, known for his posters and prints, often recorded Parisian nightlife and theater life. This sheet was intended as a single print, not part of a series.

Impact

Expressive lines and dynamic postures make the scene feel immediately alive. The viewer is drawn into the dramatic moment, even though few details are worked out. Because the image is limited to black and white, nothing distracts from movement and expression.

Technique

For this crayon lithograph, greasy crayons were drawn on a stone and then printed on wove paper. The print was made in black; only one state exists. This technique allows soft, broad lines and a flat, even effect typical of Lautrec's prints.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)