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← Niccolò Vicentino Niccolò Vicentino — Hercules and the Nemean Lion (1540–50, Met-Objekt 5879)

Hercules and the Nemean Lion (1540–50, Met-Objekt 5879)

Original title: Hercules and the Nemean Lion

Artist
Niccolò Vicentino
Date
1540–50
Medium
Chiaroscuro woodcut from two blocks in pale brown (state ib/ii)
Dimensions
Sheet: 9 15/16 × 7 11/16 in. (25.2 × 19.5 cm)
Credit line
Rogers Fund, 1922

kurzbeschreibung

Unlike many contemporary Hercules depictions that show the hero triumphing over the slain lion, this sheet by Niccolò Vicentino captures the struggle itself: made between 1540 and 1550, it is a chiaroscuro woodcut from two blocks in pale brown, state ib/ii, measuring 25.2 × 19.5 cm.

Description

Hercules lands a punch on the beast, while the lion on the right loses its balance and seems about to fall. Trees and boulders suggest a wild landscape. The palette stays dark and restrained, mainly brown and gray tones. Light creates sharp, hard contrasts typical of chiaroscuro printing. The figures are drawn naturalistically; traces of the woodcut's lines and strokes remain visible.

Context

Vicentino was a sixteenth-century Italian woodcutter who specialized in chiaroscuro woodcuts. The sheet belongs to the Renaissance, an era when Hercules's deeds were hugely popular as ancient myths. The inscriptions 'RAPH VR', '1540', and 'VICEN' provide information about its making and author. A design by Raphael likely served as the model, as the initials suggest.

Impact

The sharp light-dark contrasts heighten the drama of the struggle between hero and beast. The subdued color palette evokes a serious, almost monumental mood that emphasizes the heroic deed. The layout draws attention to the central action, creating an immediate impact.

Technique

Two printing blocks were used for this chiaroscuro woodcut to achieve light-dark effects. Printing was done with pale brown ink on paper; lines and shading come from the cut wooden blocks. The designation ib/ii refers to the second state of the print, indicating that the block was reworked.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)