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← Suzuki Harunobu Suzuki Harunobu — Parody of the Tale of Young Man Lu: Courtesan Dreaming

Parody of the Tale of Young Man Lu: Courtesan Dreaming

Original title: Parody of the Tale of Young Man Lu: Courtesan Dreaming

Artist
Suzuki Harunobu
Date
18th century
Medium
Woodblock print; ink and color on paper
Dimensions
H. 10 7/8 in. (27.6 cm); W. 8 1/8 in. (20.6 cm)
Credit line
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929

kurzbeschreibung

This eighteenth-century woodblock print by Suzuki Harunobu presents a parody of a historical tale. Two women in traditional Japanese dress sit on a bench in the foreground, while behind a semi-transparent screen a street scene unfolds. Ink and color on paper form the basis of the sheet.

Description

On an ornate bench sit two women: the left in a pink kimono with floral patterns and an elaborate hair knot, the right in a gray kimono with circular motifs. Both look downward, the right one appearing relaxed. Between them are a plate, a bowl, and a teapot. A semi-transparent wall reveals a scene with several figures, buildings, and outdoor activities. Mostly muted colors dominate the image, with only the clothing and flowers standing out in livelier tones.

Context

Suzuki Harunobu ranks among the outstanding Japanese woodblock artists of the eighteenth century and is known for his nishiki-e, multicolored woodblock prints. The Chinese tale of the young man Lu, which involves a dream, is parodied here and transposed to a contemporary Japanese setting with courtesans. Such parodic reinterpretations were common in ukiyo-e art, linking classical motifs with everyday scenes. The portrayal of courtesans and their dreams reflects the culture of the Edo-period pleasure quarters.

Impact

The quiet, intimate scene in the foreground contrasts with the lively background, creating tension between inner and outer worlds. Muted colors and finely drawn kimono patterns lend the image an elegant, still atmosphere. The parody encourages the viewer to recognize the connection between the historical tale and the contemporary depiction.

Technique

Ink and color were printed on paper; it is a woodblock print. Harunobu used the multicolor printing method (nishiki-e), which allows fine color gradations and detailed patterns. The semi-transparent wall in the background points to the use of printing techniques that simulate transparency.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)