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← Utagawa Kuniyoshi Utagawa Kuniyoshi — Lady of the Evening Faces (Yūgao): Yazama's Wife Orie (Yazama-shi no shitsu Orie), from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase)

Lady of the Evening Faces (Yūgao): Yazama's Wife Orie (Yazama-shi no shitsu Orie), from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase)

Original title: ''‘Lady of the Evening Faces’ (Yūgao): Yazama’s Wife Orie (Yazama-shi no shitsu Orie),” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase)

Artist
Utagawa Kuniyoshi
Date
1845–46
Medium
Woodblock ōban print (nishiki-e); ink and color on paper
Dimensions
Image: 14 × 9 3/16 in. (35.6 × 23.3 cm)
Credit line
Gift of Ronin Gallery, 2018

kurzbeschreibung

A colour woodblock print by Utagawa Kuniyoshi, made in 1845–46 as part of the series Genji-gumo ukiyo e-awase. On this ōban sheet (35.6 × 23.3 cm), a woman appears on a wooden bridge in a wintry setting, accompanied by a dog; snowflakes are falling.

Description

Above a headscarf sits the woman's gaze; she wears a red blouse and a black coat, and her right hand holds a yellow fan. She stands on the wooden bridge while a dog beside her turns to the left. Snowflakes are scattered across the ground, and from a window at upper left a bunch with a plant hangs down. A red frame with floral patterns surrounds the image, and at the top characters and a red banner complete the sheet.

Context

The series links scenes from the classic novel Genji Monogatari with contemporary ukiyo-e motifs. Kuniyoshi worked on this sheet in the late Edo period, when literary allusions and depictions of everyday life often came together. The reference to Yūgao (evening face) points to a chapter of the Genji novel, which is here associated with a woman named Orie.

Impact

Snowflakes and the restrained palette of black, red and yellow carry the wintry mood. The calm layout with bridge and dog conveys a contemplative atmosphere, which the ornamental frame further enhances.

Technique

Printed as a nishiki-e ōban sheet in ink and colour on paper, as ukiyo-e production prescribed. Several woodblocks brought the colours onto the sheet one after another; fine lines and area patterns lie precisely over one another. Hatching and tonal values reveal how contours and colour areas work together in the print.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)