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← James Gillray James Gillray — The Theatrical Bubble; being a new Specimen of the Astonishing Powers of the Great Politiico-Punchinello in the Art of Dramatic Puffing (January 7, 1805)

The Theatrical Bubble; being a new Specimen of the Astonishing Powers of the Great Politiico-Punchinello in the Art of Dramatic Puffing (January 7, 1805)

Original title: The Theatrical Bubble; being a new Specimen of the Astonishing Powers of the Great Politiico-Punchinello in the Art of Dramatic Puffing

Artist
James Gillray
Date
January 7, 1805
Medium
Etching and aquatint
Dimensions
plate: 14 1/4 x 10 1/4 in. (36.2 x 26 cm) sheet: 14 5/8 x 10 11/16 in. (37.1 x 27.1 cm)
Credit line
Harris Brisbane Dick Fund, 1917

kurzbeschreibung

James Gillray's 1805 caricature shows a costumed man on a stage blowing an oversized soap bubble filled with symbols and words. The print, an etching with aquatint, measures 36.2 x 26 cm (plate). Gillray targets the theatrical advertising of his day and the political self-staging of public figures.

Description

A man in an overloaded, splendid costume and a striking headpiece blows a huge soap bubble upward. Inside the bubble floats a medallion inscribed 'Veni Vidi Vici', alongside other words such as 'A Rondel'. At the front of the stage, spectators marvel at the creation; behind them rises a building with a statue on a pedestal. On the left stands a table with props, including a red lion and a sign reading 'The Wonderful Red Lion'.

Context

The caricature is dated 7 January 1805, during a period of heated political and military conflict in Europe. The title takes up the street spectacles and 'puffing' of the time—the excessive promotion of plays. Behind the 'Politico-Punchinello' lies the commedia dell'arte figure Pulcinella, also a jab at politicians who theatrically displayed their successes. The print belongs to Gillray's political satires, which appealed to an educated London audience.

Impact

The giant soap bubble and grotesque costume appear comic and almost absurd; they expose the figure's vanity. The many symbols and texts invite close looking and sharpen the satirical sting. Gillray's clear lines and delicate aquatint give the image a lively, caricatured presence.

Technique

Etching and aquatint combine here: the etching of the plate produces strong contours and details, while aquatint provides fine tonal gradations and soft shading, for instance in the soap bubble and the background. The print was made on paper; the plate measures 36.2 x 26 cm.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)