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← James Gillray James Gillray — The State Waggoner and John Bull.–or–the Waggon too Much for the Donkeys!

The State Waggoner and John Bull.–or–the Waggon too Much for the Donkeys!

Original title: The State Waggoner and John Bull.–or–the Waggon too Much for the Donkeys!

Artist
James Gillray
Date
March 14, 1804
Medium
Hand-colored etching
Dimensions
sheet (clipped impression): 10 1/2 x 14 3/8 in. (26.7 x 36.5 cm)
Credit line
Harris Brisbane Dick Fund, 1917

kurzbeschreibung

A state wagon loaded with files and pulled by donkeys dominates James Gillray's 1804 caricature. The vehicle bears the inscription 'BRITISH STATE WAGON 1804', alongside labels such as 'DEFENCE OF INVASION', 'BUDGET', 'TREASURY' and 'YOUNG POLICY'. At the rear stands John Bull, the embodiment of Britain, trying to get the wagon moving with a whip.

Description

A massive, top-heavy wagon labelled 'BRITISH STATE WAGON 1804' is hauled by several donkeys. Boxes and papers pile up on it, marked 'DEFENCE OF INVASION', 'BUDGET', 'TREASURY' and 'YOUNG POLICY'. On a hill stands a uniformed man, smoking a pipe and watching the struggle. At the back of the wagon John Bull holds the whip and strains visibly. Horses in the muddy ground behind appear agitated, some panicked.

Context

Gillray published the print on 14 March 1804, in the midst of the Napoleonic Wars and a period of domestic tension. The caricature targets the government policy of Prime Minister Henry Addington, seen as overloaded, dealing with defence against a threatened invasion and with budget matters. Through John Bull, Gillray made the financial burden of state spending visible to the British taxpayer.

Impact

The viewer's eye is first caught by the overburdened donkeys and the weighty wagon, then moves to the idle figure on the hill. This contrast between effort and passivity creates an ironic tension that is immediately clear through satirical exaggeration and richness of detail. Earthy tones and lively hand-colouring reinforce the impression of strain and standstill.

Technique

Executed as a hand-coloured etching, a common process for Gillray that combines precise line work with coloured accents. It was printed on paper and then coloured by hand, which adds liveliness to the satirical figures. This method allowed a high print run and thus the wide distribution of the political caricature.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)