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← James Gillray James Gillray — Blowing-up the Pic-Nic's;–or–Harlequin Quixote Attacking the Puppets, vide Tottenham Street Pantomime

Blowing-up the Pic-Nic's;–or–Harlequin Quixote Attacking the Puppets, vide Tottenham Street Pantomime

Original title: Blowing-up the Pic-Nic's;–or–Harlequin Quixote Attacking the Puppets, vide Tottenham Street Pantomime

Artist
James Gillray
Date
April 2, 1802
Medium
Etching; proof
Dimensions
sheet (clipped impression, inlaid): 13 3/4 x 10 1/16 in. (34.9 x 25.6 cm)
Credit line
Harris Brisbane Dick Fund, 1917

kurzbeschreibung

A knight-costumed figure directs beams of light from a device onto a group of spectators in this 1802 etching by James Gillray. The proof print measures 34.9 by 25.6 cm and parodies the pantomimes of the day at the Tottenham Street Theatre.

Description

Up front, a figure in knight's armor swings a staff-like object that sends rays of light toward the people around him. The audience reacts in mixed ways—delight, fright, and surprise show in their postures and faces. Toward the back, several people, including a woman in a striking costume, crowd around a large translucent shape. Banners and stage props point to a theater setting. The black-and-white etching uses fine hatching to build up light and shadow.

Context

The caricature appeared in 1802, when pantomimes were hugely popular in London houses such as the one in Tottenham Street. It refers to a contemporary production of 'Harlequin Quixote,' which drew on Cervantes's Don Quixote. Gillray's mockery targets the excesses and absurdity of popular stage pieces, which often relied on spectacular effects and transformations. The artist was known for his political and social caricatures in etching.

Impact

The exaggerated figures and dynamic lighting give the sheet an immediately humorous, satirical edge. It captures the theatrical overstatement of pantomime and invites the viewer to smile at the absurdity of what is shown.

Technique

As an etching, the work is made through intaglio: lines are bitten into a copper plate and then pulled onto paper. The proof print reveals the fine hatching typical of Gillray's style. Dense and parallel lines create the light effects and simulate shadow and shine.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)