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How can the building be restored if the workers are fighting between each other?

Original title: How can the building be restored if the workers are fighting between each other?, from 'News of the day,' published in Le Charivari, May 17, 1872

Artist
Honoré Daumier
Date
May 17, 1872
Medium
Lithograph on newsprint; second state of two (Delteil)
Dimensions
Image: 9 1/16 × 8 3/8 in. (23 × 21.2 cm) Sheet: 11 15/16 × 12 1/8 in. (30.4 × 30.8 cm)
Credit line
Rogers Fund, 1922

kurzbeschreibung

This 1872 lithograph by Honoré Daumier presents a crowd of workers locked in a heated quarrel. The satirical look at the political and social tensions of the day condenses into a lively construction-site scene.

Description

Several workers clash on the sheet, their bodies in violent motion: one grips a shovel or spade, another adopts a defensive stance. Behind them, stacks of wood and building materials pile up, identifying the place as a construction site. The figures point in different directions, making the confusion and sharpness of the dispute palpable. Caricaturally exaggerated, the drawing uses delicate strokes and graduated gray tones typical of lithography.

Context

The print was published on May 17, 1872, in the satirical journal Le Charivari. Daumier drew it in the years after the Franco-Prussian War and the Paris Commune, when France was grappling with both reconstruction and political turmoil. The caption lampoons the delays in restoration that arise from internal quarrels. Daumier regularly supplied political and social caricatures of this kind for Le Charivari.

Impact

The tumultuous arrangement immediately communicates chaos and discord to the viewer. Exaggerated gestures and the densely packed crowd of figures create a tangible tension. Humor and seriousness combine, making the print a forceful comment on the social conditions of the time.

Technique

The print was produced as a lithograph on newsprint, in the second of two states (Delteil). The lithographic process allows delicate lines and a broad range of gray tones, used here for the detailed rendering of figures and background. The newsprint points to inexpensive production for mass distribution.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)