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The Man of Sorrows Seated, title page of "The Small Passion"

Original title: The Man of Sorrows Seated, title page of "The Small Passion"

Artist
Albrecht Dürer
Date
ca. 1511
Medium
Woodcut
Dimensions
sheet: 4 1/2 x 3 9/16 in. (11.4 x 9 cm) Latin text on back: 4 11/16 x 3 11/16 in. (11.9 x 9.4 cm)
Credit line
Gift of Junius Spencer Morgan, 1919

kurzbeschreibung

This woodcut by Albrecht Dürer, created around 1511, depicts the Man of Sorrows seated on a stone block, crowned with thorns and with bound hands. It serves as the title page for Dürer's famous series "The Small Passion." The composition focuses on the solitary figure, emphasizing his suffering through detailed linework.

Description

The image shows a seated man with a sorrowful expression, wearing a crown of thorns. His arms are lowered, and his hands are bound. He sits on a stone block resting on a round, fluffy surface, with bare feet showing visible wounds. Rays radiate around his head, suggesting a halo or divine light, and Latin verses appear at the bottom. The composition is centered, with sharp, detailed lines typical of woodcut, and no other figures or objects are present.

Context

Dürer created "The Small Passion" between 1508 and 1511, a series of 37 woodcuts illustrating the Passion of Christ. This title page was likely added in 1511 when the series was first published as a book. Dürer was a master of woodcut technique, and this work reflects his skill in conveying emotion and narrative through graphic art. The Latin verses below the image were probably inscribed by a contemporary scholar, adding a textual layer to the visual narrative.

Impact

The stark monochrome and intricate linework create a somber, contemplative mood. The figure's bound hands and wounded feet evoke a sense of helplessness and pathos, drawing the viewer into the suffering of Christ. The radiating rays around the head contrast with the dark background, highlighting the divine nature of the subject.

Technique

This is a woodcut, a relief printing technique where the image is carved into a wooden block, inked, and pressed onto paper. Dürer's precise and detailed carving allows for fine lines and subtle shading, achieved through cross-hatching. The monochrome palette is inherent to the medium, relying on line and contrast rather than color.

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Source: Metropolitan Museum of Art · Public domain (CC0)