Apollo and Daphne
Original title: Apollo pursuing Daphne, whose toes take the form of tree roots, a round composition, reverse copy after a series of engravings by Cherubino Alberti of mythological scenes after Polidoro da Caravaggio
kurzbeschreibung
This anonymous engraving from around 1550–1600 depicts the myth of Apollo and the fleeing Daphne. The round print is a reverse copy after a series of engravings by Cherubino Alberti, whose designs go back to inventions by Polidoro da Caravaggio.
Description
Within the circular format, two nude figures appear: a man rushes with violent motion toward a woman who tries to escape with outstretched arms. Her feet are planted on the ground, and her toes turn into tree roots. Dark trees and foliage frame the background, setting the event in nature. The drawing feels dynamic and fluid; strong, high-contrast lines emphasize the energy of movement. At the bottom are the inscriptions 'Polydorus de Caravaggio In.' and 'Apollo and Daphne'.
Context
In the second half of the 16th century, mythological subjects were widespread in printmaking. Polidoro da Caravaggio, a pupil of Raphael, originally created façade decorations that later circulated through engravings. The Italian engraver Cherubino Alberti reproduced these designs; the present example is a reverse copy after Alberti's series. Such prints served to spread classical motifs and were highly popular among collectors.
Impact
The round shape and the lively linework create a direct tension between pursuer and fugitive. The transformation of the human figure into tree roots feels strange and highlights the dramatic moment of metamorphosis. The contrast-rich line gives the sheet an almost sculptural effect.
Technique
The print was made as an engraving: lines are cut into a metal plate and then printed on paper. The sharp, fine lines and careful hatching allow a detailed rendering of figures and background. The small format of about 16 x 14.2 cm suggests an intimate viewing experience, as was customary for collectors' prints.
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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)