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← Albrecht Dürer Albrecht Dürer — Apollo and Diana

Apollo and Diana

Original title: Apollo and Diana

Artist
Albrecht Dürer
Date
ca. 1503
Medium
Engraving
Dimensions
sheet: 4 9/16 x 2 7/8 in. (11.5 x 7.3 cm) plate: 1 15/16 x 1 1/4 in. (4.9 x 3.3 cm)
Credit line
Fletcher Fund, 1919

kurzbeschreibung

Around 1503, Albrecht Dürer made this engraving of Apollo and Diana. The god stands with his bow, while the goddess sits on the ground and looks up at him. It is one of the earliest works in which Dürer engages with classical mythology.

Description

Two figures dominate the image: a muscular man with curly hair holds a bow and turns to the left; opposite him, a woman in drapery sits on the ground and gazes up. Behind them appear a stag with antlers and a shield-like form. The lines are precise and detailed, as is typical of Dürer's prints. Light is distributed evenly, and everything is monochrome, as is standard for engraving.

Context

Dürer produced this print during his early Nuremberg years, before setting out on his second trip to Italy. At about 4.9 x 3.3 cm, the format is very small, suggesting the sheet was intended as a collector's item for a humanistically educated audience. For the figures of Apollo and Diana, Dürer drew on classical models, which he likely knew through Italian prints or drawings after antiquities. The stag is an attribute of Diana and refers to the hunt; Apollo's bow stands for his role as god of the arts and light.

Impact

The delicate execution and the calm, balanced layout give the sheet a noble, almost meditative aura. Despite the tiny format, the engraving has remarkable depth and plasticity that draw the viewer closer. The rendering of the nude bodies shows Dürer's interest in human anatomy and his ability to combine ideal and nature.

Technique

The image is built entirely from fine engraved lines, with parallel hatching and cross-hatching modulating light and shadow so that the figures gain volume and relief. In the small format, this linear system creates a balanced, even illumination across the monochrome surface, while the precise linework defines the muscular form of the male figure and the draped garment of the seated woman.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)