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← Albrecht Dürer Albrecht Dürer — Saint Eustace

Saint Eustace

Original title: Saint Eustace

Artist
Albrecht Dürer
Date
ca. 1501
Medium
Engraving
Dimensions
Sheet: 13 3/4 × 10 3/16 in. (35 × 25.9 cm)
Credit line
Fletcher Fund, 1919

kurzbeschreibung

Around 1501, in Nuremberg, Albrecht Dürer engraved the legend of Saint Eustace in copper. The moment captured is when the Roman officer Placidus, while hunting, encounters a stag with a crucifix glowing between its antlers. The saint kneels, still in armor, at the center of the plate before the animal; horse and hounds surround the scene. The work is executed as a fine engraving on paper.

Description

In the lower left foreground, an armored man wearing a helmet touches the muzzle of a saddled horse standing to the right, which wears a small medallion on its neck. Several dogs are scattered around the horse's hooves—one lies down, others stand or sit. In the right background, beneath tree trunks, a large stag with massive antlers rises, while on the left a steep rock face with a castle and several towers juts upward. Below the castle, a wooded landscape stretches to a river with a small stone bridge. The group of figures fills the lower part of the image, the castle provides a vertical accent, and the trunks on the right frame the action and lead the eye into depth.

Context

The print was made around 1501 in Nuremberg, when Dürer was deeply engaged with depicting animals and landscapes—influenced by his journey to Italy and his encounter with antiquity. The Eustace legend was widespread in the late Middle Ages, and Dürer linked the religious subject with precise observation of nature. The sheet was produced for the art market, which flourished in Nuremberg thanks to humanism and the emerging print trade.

Impact

The precise linework and graduated gray tones create a calm, almost meditative mood that makes the supernatural moment of the vision believable. Realistic animal depiction and idealized landscape combine into a timeless, harmonious aura that draws the viewer into the event.

Technique

For this engraving, Dürer used a burin to incise fine lines into a copper plate. The resulting web of parallel and cross-hatched lines produces the full range of grey tones and shadows, giving the image exceptional depth and detail.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)