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← Cornelis Visscher Cornelis Visscher — The Vision of Saint Francis, kneeling at right, receiving the Christ child from the Virgin Mary (1650)

The Vision of Saint Francis, kneeling at right, receiving the Christ child from the Virgin Mary (1650)

Original title: The Vision of Saint Francis, kneeling at right, receiving the Christ child from the Virgin Mary

Artist
Cornelis Visscher
Date
1650
Medium
Etching and engraving; second state of four (Hollstein)
Dimensions
Sheet (Trimmed): 17 1/8 × 13 13/16 in. (43.5 × 35.1 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951

kurzbeschreibung

Cornelis Visscher's 1650 etching and engraving captures Saint Francis kneeling to receive the Christ Child from the hands of the Virgin Mary. This sheet, the second state of four, belongs to the Dutch artist's religious works.

Description

On the right, Saint Francis kneels; on the left, Mary stands and offers him the child. Angels hover in clouds, framing the heavenly encounter. A tree and a moon suggest night or twilight. In the lower right, a hooded monk watches the event, adding to the devotion. Fine lines and hatching in black and white give the figures bodily presence.

Context

Visscher, a seventeenth-century Dutch engraver and draftsman, was known for his meticulous reproductive prints. In 1650, when Catholic themes were still common in the Netherlands despite Protestant dominance, he created this sheet. He often worked from others' designs; here his gift for translating religious scenes with fidelity is evident. The existence of four states attests to reworking of the plate, typical of printmaking of the time.

Impact

The scene feels calm and prayerful, sustained by the balanced arrangement of figures and a gentle light. The nuanced linework and graded shadows lend the sheet a painterly quality and draw the viewer into the spiritual event. Earthly and heavenly realms interpenetrate, creating a sublime, rapt atmosphere.

Technique

Etching and engraving combine here for precise linework and delicate tonal values. Visscher used them for soft transitions and detailed rendering of garments and faces. The print on paper in portrait format emphasizes the monumental effect, even though the sheet has been trimmed.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)