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← Edouard Manet Edouard Manet — Frontispiece for an edition of "Les Ballades" by Théodore de Banville

Frontispiece for an edition of "Les Ballades" by Théodore de Banville

Original title: Frontispiece for an edition of "Les Ballades" by Théodore de Banville

Artist
Edouard Manet
Date
1874
Medium
Etching and aquatint on blue laid paper
Dimensions
plate: 9 3/8 x 6 1/4in. (23.8 x 15.9cm) sheet: 14 5/8 x 9 1/2in. (37.1 x 24.1cm)
Credit line
Rogers Fund, 1921

kurzbeschreibung

Where title pages usually present the author or an emblem, Édouard Manet's frontispiece of 1874 places a seated man with a quill at its heart. This etching with aquatint on blue laid paper was made for Théodore de Banville's poetry collection 'Les Ballades' and brings together a figure, abstract shapes, and a sailing ship.

Description

In the foreground sits a man in a black cap and dark shirt, his quill raised as if to write or draw. Behind him float grey, flowing forms that might suggest figures or ideas. At the upper right, a sailing ship points into the sky. The layout is asymmetrical: the main motif in front, the abstract shapes behind. Lines of varying thickness give structure and a sense of space.

Context

In 1874 Manet made this frontispiece for an edition of Banville's 'Les Ballades'. Banville, a French poet and close friend of the artist, had supported several of Manet's works. The etching came about during a period when Manet was deeply engaged with printmaking and working on literary projects. Printing on blue laid paper was unusual at the time and gives the sheet its own character.

Impact

The contrast between the portrait-like man and the hovering abstract forms creates an enigmatic, poetic mood. The blue paper heightens this mysterious effect and makes the etching's grey tones stand out. The arrangement feels both familiar and visionary, which suits Banville's lyrical work.

Technique

Etching with aquatint, a method that allows fine gradations of tone. The lines are detailed and vary in strength, suggesting precise etching technique. It was printed on blue laid paper, whose slight texture subtly shapes the image's tone.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)