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← Henri de Toulouse-Lautrec Henri de Toulouse-Lautrec — Elles (poster for 1896 exhibition at La Plume) (1896, Met-Objekt 905)

Elles (poster for 1896 exhibition at La Plume) (1896, Met-Objekt 905)

Original title: Elles (poster for 1896 exhibition at La Plume)

Artist
Henri de Toulouse-Lautrec
Date
1896
Medium
Crayon, brush, and spatter lithograph printed in four colors on beige wove paper; third state of three (poster edition)
Dimensions
Image: 24 in. × 19 5/16 in. (61 × 49.1 cm) Sheet: 25 9/16 × 19 11/16 in. (65 × 50 cm)
Credit line
Bequest of Scofield Thayer, 1982

kurzbeschreibung

In 1896, Henri de Toulouse-Lautrec made the poster 'Elles' to announce an exhibition organized by the journal La Plume. It was executed as a four-color lithograph on beige wove paper; the third of three states is preserved here. Stylized female figures appear in the formal vocabulary of Art Nouveau.

Description

A woman in a blue dress with a white bodice dominates the image; she raises her arms and wears an orange hat. To her left, a second woman in a blue hat and a tall top hat appear. The background remains sparse, filled only by a few sketchy strokes. Blue, white, and orange meet the beige tone of the paper. The figures are distributed asymmetrically, their contours flowing and almost abstract.

Context

The print was occasioned by an exhibition of Toulouse-Lautrec's series 'Elles', held in 1896 at the Paris gallery La Plume. That series is devoted to the daily life of prostitutes, while the poster chooses a stylized, idealized version. La Plume was regarded as a renowned art and literary journal and regularly showed work by contemporary artists. Three states of the work are recorded; the present version comes from the poster edition.

Impact

The tension between blue, orange, and the beige of the paper gives the sheet a lively, poster-like presence. Flowing, stylized lines create an elegant, decorative aesthetic characteristic of Art Nouveau. Because much has been omitted, the eye is drawn to the main figure; the result is a calm yet animated effect.

Technique

The sheet was made as a lithograph employing crayon, brush, and spatter techniques. It was printed in four colors on beige wove paper. The spattering produces fine, grainy textures that stand out against the bold areas of color.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)