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← Henri de Toulouse-Lautrec Henri de Toulouse-Lautrec — The Box with the Gilded Mask (1894, Met-Objekt 882)

The Box with the Gilded Mask (1894, Met-Objekt 882)

Original title: The Box with the Gilded Mask

Artist
Henri de Toulouse-Lautrec
Date
1894
Medium
Crayon, brush, and spatter lithograph with scraper printed in five colors on imitation japan paper; only state
Dimensions
Sheet: 19 3/4 × 12 13/16 in. (50.2 × 32.5 cm) Image: 14 5/8 × 12 13/16 in. (37.2 × 32.5 cm)
Credit line
Bequest of Scofield Thayer, 1982

kurzbeschreibung

Henri de Toulouse-Lautrec's lithograph "The Box with the Gilded Mask" dates from 1894. It shows two figures in a theater box, framed by red curtains and a golden mask. The print was made in five colors using crayon, brush, and spatter techniques on Japan paper.

Description

On the left, a figure in a white cap looks left; on the right, someone with a red wig, black jacket, and feathered hat holds a glass and looks right. Both sit on a red bench with yellow ornaments. Red curtains frame the background, while beneath the bench a golden grinning head appears, mouth wide open and teeth visible. Bold, contrasting colors—especially the dominant red—give the scene dramatic intensity.

Context

Toulouse-Lautrec created this work in 1894, when he was deeply engaged with Parisian nightlife and the theater. The lithograph belongs to his series of depictions of the entertainment milieu. Because it was printed in only one state, this suggests a limited edition. The motif of the box and the mask refers to contemporary theater and opera culture.

Impact

The luminous reds and the sharp contrast between the figures and the golden mask feel immediate and expressive. The spattered technique creates a lively, almost vibrating surface that captures the dynamism of the theater. Through the intense colors and the unusual perspective, the viewer is drawn into the scene.

Technique

For this lithograph, Toulouse-Lautrec used crayon and brush and also employed a spatter technique to create fine dotted patterns. A scraper served to bring out details and add highlights. The print was made in five colors on imitation Japan paper, which gives the colors particular depth.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)