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← Henri de Toulouse-Lautrec Henri de Toulouse-Lautrec — The Englishman at the Moulin Rouge (1892, Met-Objekt 812)

The Englishman at the Moulin Rouge (1892, Met-Objekt 812)

Original title: The Englishman at the Moulin Rouge

Artist
Henri de Toulouse-Lautrec
Date
1892
Medium
Lithograph printed in six colors on laid paper; second state of two
Dimensions
Sheet: 24 5/8 × 19 1/8 in. (62.5 × 48.5 cm) Image: 18 1/2 × 14 11/16 in. (47 × 37.3 cm)
Credit line
Gift of Bessie Potter Vonnoh, 1941

kurzbeschreibung

Henri de Toulouse-Lautrec created the lithograph 'Der Engländer im Moulin Rouge' in 1892. It shows a woman in vivid green beside a smoking man in deep red against a stylized backdrop. Printed in six colors on laid paper, the sheet is the second state of two.

Description

On the left, a woman in a light green dress and dark hat leans slightly to one side, her expression pensive or worried. To the right stands a man in a dark red suit with a matching hat, a cigar in his mouth, smiling. Abstract shapes in yellow and red form the background, suggesting a theater or dance bar. Bold, contrasting colors and clear lines stand out. The asymmetrical arrangement pushes the two figures forward, while the background acts as a frame.

Context

In 1892, Toulouse-Lautrec was a regular in Parisian nightlife at the Moulin Rouge, where he sketched numerous scenes. The 'Englishman' was likely a well-known patron of the establishment, though his identity remains unclear. This lithograph belonged to a series of posters and prints promoting the Moulin Rouge. Toulouse-Lautrec used the new color printing technique to capture the venue's atmosphere.

Impact

The strong colors and reduced yet precise linework create an immediate, poster-like impact that draws the viewer into the scene. The slight tilt of the figures and their differing expressions generate a subtle tension, capturing the fleeting, observant moment of nightlife.

Technique

This is a lithograph printed in six colors on laid paper. Stone printing allowed Toulouse-Lautrec to combine bold, opaque layers of color while retaining fine lines. The second edition differs slightly from the first, typical of printing techniques of the time.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)