The Universe is Created (L'Univers est créé), from Fragrance (Noa Noa)
Original title: The Universe is Created (L'Univers est créé), from Fragrance (Noa Noa)
kurzbeschreibung
In this woodcut from 1893–94, part of Paul Gauguin's series Fragrance (Noa Noa), human and animal figures jostle together in a swirling tangle of lines. The abstract, symbolic image draws on Gauguin's engagement with Tahitian myths and his time in Polynesia.
Description
Figures merge into one another, dissolving into curves and coils as if undergoing transformation. The layout feels fluid, with no fixed anchor—everything seems in motion. Behind the figures, blurred lines and shapes hint at a landscape. Black and white dominate the contrast, while pale, almost white areas emerge like sources of light.
Context
The Noa Noa series originated during Gauguin's first trip to Tahiti (1891–93) and after his return to France. He made the woodcuts in Paris in 1893–94, where he grappled with Tahitian culture and mythology. They were intended to illustrate his book 'Noa Noa', which recounts his experiences and impressions on the island. He used the woodcut as a testing ground for his expressive style.
Impact
A mysterious, almost ritualistic mood emanates from this abstract, sign-like image. The distortion of the figures and the restless arrangement generate strong emotional tension. The harsh contrast of black and white heightens drama and depth.
Technique
Gauguin printed the woodcut on thin China paper, which allows fine lines and a soft surface. He experimented with unusual printing methods to achieve expressive shadows and light effects. Sharp lines and clear shadows define the print's graphic appearance.
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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)