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← Paul Gauguin Paul Gauguin — The Day of God

The Day of God

Original title: The Day of God

Artist
Paul Gauguin
Date
1894–95
Medium
Woodcut on china paper; edition in black ink on china paper
Dimensions
block: 7 3/16 x 8 in. (18.3 x 20.3 cm) sheet: 10 3/8 x 17 1/8in. (26.4 x 43.5cm)
Credit line
Rogers Fund, 1921

kurzbeschreibung

Figures in traditional dress populate a rural scene: Paul Gauguin's woodcut "Der Tag Gottes" dates from 1894–95 and was printed in black on china paper. The block measures 18.3 x 20.3 cm.

Description

In the foreground, some figures kneel while others stand upright or rest on the ground. Black and white dominate without intermediate tones. Trees and a broad landscape close the background, conveying calm. The layout stretches widely from left to right. Light falls evenly across everything; shadows and gradations are absent.

Context

During his second stay in Tahiti, Gauguin devoted himself intensively to local culture and religion. In this period he tested new artistic means and used the woodcut to express his South Seas experiences. The rural setting with its figures reflects his idealized notion of simple life.

Impact

The few colors and clear outlines give the sheet something archaic, almost ritualistic. Because the figures are arranged calmly along the horizontal, a meditative mood arises that draws the viewer into the peaceful landscape.

Technique

The woodcut was printed with black ink on china paper. This process yields strong lines and areas without halftones, heightening the expressive impact. The block-like structure of the print emphasizes flatness and simplifies the forms.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)