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← Georges Seurat Georges Seurat — Study for "A Sunday on La Grande Jatte" (1884, Met-Objekt 709)

Study for "A Sunday on La Grande Jatte" (1884, Met-Objekt 709)

Original title: Study for "A Sunday on La Grande Jatte"

Artist
Georges Seurat
Date
1884
Medium
Oil on wood
Dimensions
6 1/8 × 9 1/2 in. (15.6 × 24.1 cm) Framed: 13 1/8 × 17 in. (33.3 × 43.2 cm)
Credit line
Robert Lehman Collection, 1975

kurzbeschreibung

This small oil study on wood, made by Georges Seurat in 1884, captures a riverside scene on the Seine: figures on a grassy bank, boats on the water, and a sky with clouds. Measuring 15.6 × 24.1 cm, it served as a preparatory work for the monumental painting he would later complete.

Description

On the grass in the foreground, people are seated and standing, some in groups, others alone or in pairs; a few hold umbrellas. Hats and dresses appear in various colors and patterns. Beyond the lawn lies the river with boats, and behind that, trees and a cloudy sky. Greens and blues dominate the palette, with other colors adding accents. The layout is structured horizontally and vertically, with shore and river clearly separated.

Context

For his major work 'A Sunday Afternoon on the Island of La Grande Jatte', painted between 1884 and 1886, Seurat produced numerous studies. This small oil sketch on wood belongs to a series of preparatory pieces in which he tested light, arrangement, and figures. The island of La Grande Jatte in the Seine near Neuilly was a popular outing spot for the Parisian middle class. During those years, Seurat was developing pointillism, which he would apply methodically in his paintings.

Impact

Bright, luminous colors and the calm, ordered layout give the image the feel of a quiet snapshot of a sunny day. The dot technique lends the surface a lively, vibrating texture that hints at the shimmer of light.

Technique

Oil paint on wood forms the base; the typical pointillist method with small, irregular dots of color is already visible. The tones are light and bright, suggesting a time of day with plenty of sunshine. Compared to the later large painting, the study is noticeably smaller and more sketch-like.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)