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← Jean Pierre Louis Laurent Hoüel Jean Pierre Louis Laurent Hoüel — Frontispiece, from Suite de Figures Chinoises... Tiré du Cabinet de Mr. d'Azaincourt

Frontispiece, from Suite de Figures Chinoises... Tiré du Cabinet de Mr. d'Azaincourt

Original title: Frontispiece, from Suite de Figures Chinoises. . . Tiré du Cabinet de Mr. d'Azaincourt (Series of Chinoiserie Figures. . .From the Chambers of Mr. d'Azaincourt)

Artist
Jean Pierre Louis Laurent Hoüel
Date
1755–76
Medium
Etching and engraving
Dimensions
Sheet: 8 1/4 × 5 13/16 in. (21 × 14.8 cm)
Credit line
Harris Brisbane Dick Fund, 1953

kurzbeschreibung

This frontispiece belongs to the Suite de Figures Chinoises, a series of etchings and engravings that Jean Pierre Louis Laurent Hoüel made between 1755 and 1776 after designs by François Boucher. It presents three figures in the chinoise style set against a harbour backdrop. The print is part of a graphic series through which European ideas of China circulated in the eighteenth century.

Description

Three figures command the foreground: a seated figure plays a stringed instrument resembling a hurdy-gurdy, while two standing companions with fans gesture toward her from either side. The seated musician anchors the layout, framed by the two attendants. Behind them a fortress and a harbour with ships appear in muted grey. The figures stand out in a lighter tone from the background. Fine lines and shading of the engraving produce a clear, well-structured image.

Context

Hoüel engraved the Suite de Figures Chinoises after designs by François Boucher. Boucher, a leading Rococo painter, created numerous chinoise scenes that were in great demand in eighteenth-century France. The series was dedicated to the cabinet of Monsieur d'Azaincourt, suggesting an aristocratic collector. Graphic series of this kind served as decoration and spread exotic motifs in European decorative arts.

Impact

The arrangement feels balanced and calm; a clear hierarchy exists between the central seated figure and the two standing companions. The monochrome execution and delicate linework give the sheet a refined graphic presence. Chinoiserie motifs create an exotic yet idealised mood typical of European receptions of China in the eighteenth century.

Technique

Etching and engraving are used together, allowing precise lines and fine shading. This method captures both the details of the figures and the atmospheric areas of the background. Printed on paper, the sheet measures 21 × 14.8 cm and belongs to a series of graphic works.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)