Art Archive

← François Boucher François Boucher — Sheet of Sketches, from 'Livre d’étude d’après les desseins originaux de Blomart' (1735, Met-Objekt 6469)

Sheet of Sketches, from 'Livre d’étude d’après les desseins originaux de Blomart' (1735, Met-Objekt 6469)

Original title: Sheet of Sketches, from "Livre d’étude d’après les desseins originaux de Blomart"

Artist
François Boucher
Date
1735
Medium
Etching
Dimensions
image: 7 1/4 x 4 5/8 in. (18.4 x 11.8 cm) sheet: 7 5/8 x 4 3/4 in. (19.4 x 12 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949

kurzbeschreibung

An etching made by François Boucher in 1735, measuring 18.4 by 11.8 cm. It presents two women in a landscape: one sits reading or writing in a book, while the other stands with a basket, offering or holding something out to her.

Description

Two female figures are set within a landscape. The seated woman turns slightly to the left, occupied with a book. The standing one carries a basket, leans to the right, and appears to be showing or explaining something to her companion. Trees and shrubs close off the background, folding the figures into nature. Black-and-white lines record clothing and surroundings with simple but exact detail. At the lower right appears the signature 'Boucher Sculp.'

Context

This etching belongs to the 'Livre d'étude d'après les desseins originaux de Blomart', a series in which Boucher translated drawings by Blomart into prints. In 1735, during a period of intense engagement with etching, the leading French Rococo painter recast the designs of the lesser-known Blomart in his own visual language.

Impact

Clear lines and a calm arrangement give the sheet balance and harmony. The figures within the idyllic landscape produce the relaxed rural mood characteristic of Boucher's work.

Technique

Etching is an intaglio process in which the drawing is bitten into a metal plate. Boucher worked with fine lines to draw out details of clothing and setting, and the black-and-white technique gives the image its strong contrast. The print was pulled on paper, with the plate mark defining the edge of the image.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)