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← Claude Augustin Duflos le Jeune Claude Augustin Duflos le Jeune — Turkish Soldiers Resting

Turkish Soldiers Resting

Original title: Turkish Soldiers Resting

Artist
Claude Augustin Duflos le Jeune
Date
1746–47
Medium
Etching and engraving
Dimensions
Sheet (trimmed): 2 5/8 × 5 1/4 in. (6.6 × 13.4 cm)
Credit line
Harris Brisbane Dick Fund, 1953

kurzbeschreibung

Claude Augustin Duflos le Jeune made this etching and engraving, "Turkish Soldiers at Rest," in 1746–47. It pictures a reclining group of soldiers in traditional Turkish dress out in the countryside, with tents bearing crescent emblems in the distance pointing to a military camp. The sheet measures 6.6 × 13.4 cm and draws its appeal from delicate line work.

Description

Several soldiers have settled on the ground in relaxed postures, while one standing figure holds a sash or rope in his hands. Garments carry richly detailed folds and patterns, given body by fine hatching. Crescent symbols on the distant tents place the action in a military encampment. Grey tones govern the monochrome sheet, whose even light avoids hard contrasts of shadow.

Context

The French engraver Claude Augustin Duflos le Jeune was prized in the eighteenth century for his refined reproductions and genre scenes. The years 1746–47 fall in a period when the Ottoman Empire was present in Europe and Turkish motifs were considered exotic in art. The work may have belonged to a series on Oriental themes, a common type in the Rococo era.

Impact

A quiet, almost ethnographic mood arises from the calm arrangement and delicate stroke. Without dramatic or heroic heightening, the viewer gains a detached glimpse into a foreign culture. The even distribution of light and the detailed rendering of fabrics create a sober, documentary impression.

Technique

The mix of etching and engraving can be read in the fine lines and precise hatching. Printing with black ink on paper produces the monochrome grey tones. The small format of roughly 6.6 × 13.4 cm suggests careful detail work of the kind typical of these techniques.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)