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← Peter Paul Benazech Peter Paul Benazech — Second View of Charenton near Paris

Second View of Charenton near Paris

Original title: Second View of Charenton near Paris

Artist
Peter Paul Benazech
Date
mid to late 18th century
Medium
Engraving
Dimensions
Sheet (trimmed): 8 1/8 × 9 13/16 in. (20.6 × 25 cm)
Credit line
Rogers Fund, 1962

kurzbeschreibung

A figure carrying a child anchors the foreground of Peter Paul Benazech's etching Zweite Ansicht von Charenton bei Paris, a quiet landscape built around a round tower, a stretch of water and a populated bank. The print, made in the mid to late 18th century, measures 20.6 × 25 cm and is rendered in shades of grey.

Description

At the left front, one figure bears a child, while a seated person on the bank strokes an animal. Behind them lies a small body of water crossed by a bridge. A round tower, wrapped in dense trees and vegetation, forms the central reference point of the layout. The sky is shown clouded, and the arrangement feels symmetrical.

Context

Peter Paul Benazech, an artist active in London, likely made this etching as part of a series of topographical views. The view of Charenton, southeast of Paris, dates from the 18th century, when landscape subjects were in demand in printmaking. Such sheets often served to document and circulate landscape imagery in a growing market for art prints.

Impact

The small figures set against the wide landscape create a calm, secluded mood. The symmetrical arrangement and precise linework give the print an ordered, harmonious feel. The etching's grey tonality underscores its draughtsmanlike quality and the detailed accuracy of the vegetation.

Technique

The etching displays clear, precise linework characteristic of the technique. Fine structures of trees and plants were transferred to the printing plate by etching and then printed on paper. That the sheet is trimmed points to later handling.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)