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← François Boucher François Boucher — Black African Removing Bottles From a Cooler

Black African Removing Bottles From a Cooler

Original title: Black African Removing Bottles From a Cooler

Artist
François Boucher
Date
18th century
Medium
Etching; first state
Dimensions
Sheet: 12 13/16 x 18 7/8 in. (32.5 x 48 cm) Plate: 8 9/16 x 12 7/8 in. (21.8 x 32.7 cm)
Credit line
Gift of Georgiana W. Sargent, in memory of John Osborne Sargent, 1924

kurzbeschreibung

François Boucher made this etching in the 18th century, showing a man taking bottles from a cooler. The subject belongs to a series of genre scenes Boucher produced in the 1730s. This impression is in the first state, executed as an etching.

Description

Leaning over an oval table, the man draws several bottles from a cooler with both hands. He wears a striped top and has settled on the floor while the table stands before him. Black and white dominate the image; dense, carefully placed lines outline contours and shadows. Light enters from the upper left, as the shading on the man's left side and on the table makes clear. The print emphasizes textures and movements in rich detail.

Context

The etching dates from the 18th century, when Boucher was deeply engaged with printmaking. It belongs in the orbit of his work for the royal Gobelins manufactory and points to his influence on Rococo art. As a genre scene, it takes up exotic motifs that were widespread in 18th-century French art. That a Black man appears in an everyday activity is an example of the period's engagement with foreign cultures.

Impact

Precise linework and a clear handling of light and shadow give the etching an immediacy and liveliness. A calm yet dynamic atmosphere draws the viewer into the moment of action. The contrast between the fine strokes and the simple arrangement lends the work a distinctive aesthetic quality.

Technique

In etching, the drawing is incised into a copper plate, which is then bitten with acid. The first state suggests an early impression made before further reworking. The dense lines and shading attest to a confident command of the etching technique.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)