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← François Boucher François Boucher — Standing Man Carrying Fasces and Arms

Standing Man Carrying Fasces and Arms

Original title: Standing Man Carrying Fasces and Arms

Artist
François Boucher
Medium
Pen, brown ink and brown wash over black chalk
Dimensions
9 3/16 x 7 3/16 in. (23.3 x 18.2 cm)
Credit line
Purchase, Joseph Pulitzer Bequest, 1960

kurzbeschreibung

A barefoot man in antique-style dress walks upright, carrying a bundle of rods with a container on his back; François Boucher set down the figure in pen and brown ink with brown wash over black chalk. Two figures lying on the ground are suggested behind him.

Description

Up front strides a man in a plain, archaic-cut garment, shoeless, a load of several wooden staves and a basketlike vessel slung over his shoulder. He stands straight, his bearing resolute. On the ground behind him two more figures struggle, their position cramped and laborious. The sheet stays entirely in brown tones; the folds of the clothing and the individual rods are worked out with palpable care.

Context

Boucher, a French Rococo painter, was known above all for mythological and pastoral scenes. This sheet was likely made as a study for a larger painting or print, as was common practice in his workshop. The bundles of rods (fasces) and the antique-style getup point to Roman custom and could belong to an allegorical or historical setting. No exact year of execution survives; the handling suggests Boucher's mature period.

Impact

The almost uniformly brown palette gives the sheet a serious, thoughtful undertone — a counterpoint to Boucher's often cheerful Rococo scenes. Because the man stands so upright, he seems dignified, almost heroic. The two figures on the ground heighten the sense of burden and exertion.

Technique

Pen and brown ink, with brown wash laid over it, sit here above an underdrawing in black chalk. In this way Boucher could combine clear contours with soft tonal gradations. At 23.3 x 18.2 cm the format stays small — to be expected of a study meant for further use in the studio.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)