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Design for a Frontispiece Surmounted by the Sacred Monogram IHS

Original title: Design for a Frontispiece Surmounted by the Sacred Monogram IHS

Artist
François Boucher
Medium
Pen and black ink, brush and gray wash
Dimensions
6 3/4 x 9 in. (17.1 x 22.9 cm)
Credit line
Purchase, Anne and Carl Stern Gift, 1960

kurzbeschreibung

François Boucher designed this frontispiece in an unknown year. The drawing is executed in pen and black ink, with gray wash added. The sheet combines the IHS monogram with a cross, two putti, and oval frames containing figures within an ornamental whole. The layout is symmetrical, and the palette remains monochrome in shades of gray.

Description

A central IHS monogram with a cross hovering above it serves as the starting point. Two putti in lively poses flank it. To either side are oval frames: the left encloses a figure with an arrow, the right a figure with a hand on the chest. A richly decorated frame with floral and ornamental motifs surrounds the whole, while the background stays plain. The arrangement is symmetrically aligned, and the tones arise from ink and wash in various shades of gray.

Context

Probably made in the 18th century, this frontispiece design falls into the period when Boucher was active as a leading Rococo painter and draughtsman in France. Frontispieces served as title pages for books or prints; the IHS monogram suggests a religious or ecclesiastical context. A precise identification of the work is lacking, which is typical of many drawings of this kind that served as models for printmaking or decoration. Boucher was known for decorative designs, often used for book illustrations and ornamental engravings.

Impact

The symmetrical arrangement and ornamental framing give the sheet a balanced, decorative character. Lively energy comes from the putti's animated poses, tempered by the monochrome gray tonality. Overall, an impression of festive elegance emerges, characteristic of Boucher's Rococo style.

Technique

Pen and black ink define the drawing, while gray wash provides shading and tonal values. This allowed precise lines to be combined with soft, flowing transitions. The gray wash creates a subtle sense of depth without the use of color.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)