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← Paul Cézanne Paul Cézanne — Exhibition Announcement and Catalogue for a Cézanne show at the Galerie Vollard

Exhibition Announcement and Catalogue for a Cézanne show at the Galerie Vollard

Original title: Exhibition Announcement and Catalogue for a Cézanne show at the Galerie Vollard (May 9–June 10, 1898)

Artist
Paul Cézanne
Date
1898
Medium
Relief print
Dimensions
Sheet: 8 3/4 × 9 1/2 in. (22.3 × 24.2 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1950

kurzbeschreibung

For the exhibition at Galerie Vollard, held from 9 May to 10 June 1898, Paul Cézanne designed this relief print, which served as both announcement and catalogue. It gathers a group of figures in a natural setting and ranks among the few surviving examples of Cézanne's printmaking.

Description

Your eye is first drawn to the figures of varying sizes scattered across a wooded or open landscape. Some are clothed, others nude; one sits on a stone while others stand or move in different poses. The layout feels asymmetrical, heightening the dynamism of the scene. This monochrome sheet displays the even distribution of light typical of relief printing. The impressionist style brings the form and structure of the figures and their surroundings to the fore.

Context

The Paris gallery Vollard played a central role in promoting the avant-garde, and in 1898 Ambroise Vollard mounted one of Cézanne's first solo exhibitions. This show was instrumental in gaining public recognition for the artist, who had often been rejected before. Cézanne made the relief print as a practical promotional tool, evidence that he took an active part in marketing his art. During this period he was deeply engaged with depicting bathers and figures in landscapes.

Impact

The sheet strikes the viewer immediately and forcefully through its reduced, monochrome design and the animated group of figures. The asymmetrical arrangement creates a lively tension that pulls the gaze into the scene. In this way, the character of commercial graphics merges with artistic ambition.

Technique

In relief printing, the raised areas of the plate are inked and transferred to paper. Cézanne chose this method to achieve clear, high-contrast lines. The monochrome palette and even light distribution are characteristic of the technique.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)