Frontispiece with oval portrait of Raphael, with three allegorical figures of the Arts supporting the tablet at center
Original title: Frontispiece with oval portrait of Raphael, with three allegorical figures of the Arts supporting the tablet at center
kurzbeschreibung
Unlike conventional title pages that present only a portrait, Pietro Aquila's 1675 frontispiece combines an oval portrait of Raphael with three allegorical figures of the arts who support the tablet. This etching measures 31.1 × 38.8 cm and was intended as the title page for a publication on Raphael's works.
Description
An oval portrait of Raphael anchors the layout, flanked by three female figures in classicizing dress who hold the central tablet. Vases and other ornamental forms frame the group. Below, a block of Latin inscription provides information about Raphael and his oeuvre. The monochrome print depends on delicate lines and graduated shading.
Context
Created in 1675 as part of a publication meant to honor Raphael's works, the frontispiece reflects the esteem in which Raphael was held. Pietro Aquila, an Italian printmaker of the Baroque, was known for his reproductive engravings after paintings and frescoes. The allegorical figures of the arts attest to Raphael's mastery of painting, sculpture, and architecture. The Latin text below reinforces the print's didactic purpose.
Impact
The symmetrical arrangement and delicate lines create a calm, dignified mood. That the arts support the tablet underscores Raphael's importance for art history. The monochrome execution directs attention to the details of the figures and ornaments.
Technique
For this etching, the drawing was incised into a copper plate that had been treated with acid. The process allows fine lines and shading that render the complex composition precisely. The plate was then printed on paper, after which the sheet was trimmed.
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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)