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← Thomas Rowlandson Thomas Rowlandson — Comfort in the Gout

Comfort in the Gout

Original title: Comfort in the Gout

Artist
Thomas Rowlandson
Date
November 30, 1785
Medium
Hand-colored etching
Dimensions
Sheet: 10 3/4 × 14 5/16 in. (27.3 × 36.3 cm) Plate: 10 1/16 × 13 7/8 in. (25.5 × 35.2 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959

kurzbeschreibung

A gout sufferer with two women attending him, a man seated at a table, and a dog lying nearby: that is the subject of Thomas Rowlandson's hand-colored etching 'Comfort in the Gout' from 1785.

Description

On a sofa, a man has settled, his hand clenched, legs stretched far out — the posture betrays the pain. A woman steps up to him and holds a cup or glass to his mouth; a second stands farther back with a vessel ready. At the table, a man watches the scene while a dog lies on the floor looking up at those present. Light falls from the left through a window, casting shadows on the right half of the image.

Context

Rowlandson published the print on November 30, 1785, part of his satirical graphics that mocked social goings-on and human weaknesses. In the eighteenth century, gout was considered an ailment of the well-to-do, associated with rich food and drink. The solicitous women around the afflicted man take up this contemporary image and sharpen it with a humorous undertone.

Impact

Loving detail and delicate coloring give the picture liveliness without losing its ironic edge. Pain and care stand side by side, creating a mood that hovers between comedy and sympathy.

Technique

For this print, the plate was first etched and the impression then hand-colored with watercolors. The fine line work and gray base tones gain additional liveliness from the restrained color accents, benefiting both figures and space.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)