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← Pietro Santi Bartoli Pietro Santi Bartoli — The Annunciation to the Virgin, Archangel Gabriel approaching from the left, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries

The Annunciation to the Virgin, Archangel Gabriel approaching from the left, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries

Original title: The Annunciation to the Virgin, Archangel Gabriel approaching from the left, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries

Artist
Pietro Santi Bartoli
Date
1650–70
Medium
Etching
Dimensions
Sheet: 4 9/16 × 11 5/16 in. (11.6 × 28.8 cm) Plate: 4 7/16 × 11 5/16 in. (11.3 × 28.7 cm)
Credit line
Gift of Harry G. Friedman, 1959

kurzbeschreibung

This etching by Pietro Santi Bartoli dates from 1650 to 70 and shows the Archangel Gabriel stepping toward Mary, who has taken her seat on a chair. The sheet belongs to a series of 15 prints made after Raphael's designs for the Vatican Stanze and the Sistine Chapel.

Description

Mary sits at the middle of the image on a chair, a book in her hand, while Gabriel approaches from the left on winged feet, carrying a bunch of flowers. Columns and a window framed by curtains give the encounter an architectural setting. Along the bottom edge a Latin quotation from the Gospel of Luke is engraved. The layout reads clearly and evenly, with attention fixed on the two figures meeting; light falls uniformly, as is usual in monochrome printmaking.

Context

Bartoli made this etching in the seventeenth century as part of a series reproducing Raphael's celebrated works for the Vatican Stanze and the tapestries of the Sistine Chapel. Prints of this kind opened the papal artworks to a wider public. The series appeared at a time when reproductive engraving played a major part in circulating art.

Impact

Clear linework and a calm arrangement give the sheet a solemn, dignified mood. Because the layout is symmetrical, the eye goes straight to Gabriel's meeting with Mary, and the weight of the moment comes forward.

Technique

The evenly running fine lines and the monochrome character of the sheet mark it as an etching. This technique allowed figures and architecture to be reproduced in precise detail, while the Latin quotation ties image and text together.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)