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← Edgar Degas Edgar Degas — Study of a Nude (Dancer at the Barre)

Study of a Nude (Dancer at the Barre)

Original title: Study of a Nude (Dancer at the Barre)

Artist
Edgar Degas
Date
1884–1900
Medium
Charcoal on tracing paper laid down on card
Dimensions
Sheet: 42 5/16 × 29 1/8 in. (107.5 × 74 cm)
Credit line
Gift of the Drue Heinz Charitable Trust, in celebration of the Museum's 150th Anniversary, 2019

kurzbeschreibung

A nude woman leans on a ballet barre. Edgar Degas captured this scene between 1884 and 1900 using charcoal on tracing paper, which was later mounted on card.

Description

The figure tilts to the right, bends forward, and extends her feet while her arms, slightly raised, touch the barre. Her hair is gathered in a bun. Black and white dominate the sheet, with varied strokes creating a delicate texture. The background remains sparse, focusing attention on the body. Even light from the front accentuates the contours.

Context

Degas produced countless studies of dancers, often in relaxed poses away from the stage. During this period, he was deeply engaged with the human body and its movements. Tracing paper allowed him to rework lines and try out different versions. The format, over a meter high, suggests a large-scale study that could have been intended for a painting or as an independent work.

Impact

A calm, familiar mood emanates from the sheet, capturing a moment of composure and grace. Because only the figure is shown and the charcoal is applied delicately, the drawing feels immediate and almost sketch-like. The viewer is transported into the private practice room.

Technique

Charcoal on tracing paper, mounted on card, forms the basis. This technique allows soft transitions and nuanced shading, while the varied strokes create a lively surface. The tracing paper likely served to trace and correct lines—a characteristic approach for Degas.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)