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← Master of the Die Master of the Die — Venus removing a thorn from her foot

Venus removing a thorn from her foot

Original title: Venus removing a thorn from her foot

Artist
Master of the Die
Date
1532
Medium
Engraving
Dimensions
sheet: 7 1/2 x 6 1/2 in. (19 x 16.5 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949

kurzbeschreibung

Where many Renaissance prints present Venus in full mythological splendour, this engraving of 1532 places a quiet everyday action at its heart: the goddess drawing a thorn from her foot. The Master of the Die sets the moment in an idyllic landscape, pairing the refinement of printmaking with an unusually intimate subject.

Description

A woman with her hair bound in a braid sits on a rock, examining her foot, while a simple cloth drapes across her hips and legs. Around her opens a landscape of trees, bushes and a tower. The layout feels calm and clear, and the figure remains the undisputed focus. Soft lines and a harmonious arrangement recall the visual language of the Renaissance.

Context

The Master of the Die, an engraver active in Italy, issued this work in 1532, at a time when printmaking was gaining increasing weight in Europe and mythological subjects were in demand. The blend of divine and human, shown through an everyday act of Venus, suited a period that reinterpreted antique motifs.

Impact

The calm arrangement and precise linework give the sheet a penetrating yet familiar effect. By showing the goddess engaged in a private task, the image draws close to the viewer. The landscape forms an idyllic frame that integrates the subject harmoniously.

Technique

Printed on paper around 1532, the etching exploits the potential for fine, exact lines, allowing details such as hair structure and drapery folds to be rendered with nuance. At roughly 19 x 16.5 cm, the sheet has a compact format suited both to collectors and to printing in larger numbers.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)