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← Enea Vico Enea Vico — The Annunciation with Kneeling Angel

The Annunciation with Kneeling Angel

Original title: The Annunciation with Kneeling Angel

Artist
Enea Vico
Date
ca. 1540–41
Medium
Engraving
Dimensions
sheet: 4 5/8 x 10 3/4 in. (11.8 x 27.3 cm) trimmed within platemark
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949

kurzbeschreibung

A kneeling angel clutches a bundle of flowers on the right; Mary sits with a book on the left in a chair. Enea Vico's engraving The Annunciation with a Kneeling Angel, made around 1540–41, presents the biblical encounter. The archangel Gabriel bows low, while Mary stays upright, an open book in her hands.

Description

At the right Gabriel kneels, flowers gathered in his arm, one finger pointing off to the side. Mary is enthroned at the left in a chair, a book in one hand while the other gestures toward her belly. A window and a globe behind them suggest a scholarly setting. Fine lines and graded shading keep the sheet monochrome.

Context

Enea Vico, an Italian engraver of the Renaissance, was known for his richly detailed prints. Made in Italy around 1540–41, this sheet belongs to a series of biblical scenes that were common at the time. The Annunciation with a Kneeling Angel stands within the iconographic tradition of the sixteenth century.

Impact

Calm and well balanced, the layout draws attention to the meeting of Gabriel and Mary. Delicate lines and shading create an intimate, thoughtful mood that pulls the viewer into the event.

Technique

An etching, an intaglio process in which lines are bitten into a metal plate, the print shows Vico's technical precision. The varied shading and fine lines attest to his ability to achieve sculptural effects with this medium.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)