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Ornamental Panel (ca. 1514–36, Met-Objekt 5838)

Original title: Ornamental Panel

Artist
Agostino Veneziano (Agostino dei Musi)
Date
ca. 1514–36
Medium
Engraving
Dimensions
8 x 5 7/16 in. (20.3 x 13.8 cm)
Credit line
Harris Brisbane Dick Fund, 1924

kurzbeschreibung

Agostino Veneziano (Agostino dei Musi) engraved this ornamental panel, "Ornamentale Tafel," sometime around 1514–36. A single figure sits at the heart of the design, surrounded by cherubs and mythological beings that are woven through with scrolling vines and floral ornament. The print is a fine, richly detailed copper engraving in the manner of the Renaissance.

Description

One human figure occupies the middle of the panel, with several cherubs and other mythological characters gathered around it. The cherubs appear in shifting poses — some making music, others holding fans or objects. A network of tendrils and blossom patterns spreads across the whole image. The layout is symmetrical and clearly ordered, and the central figure stands out plainly from its surroundings. Kept in monochrome, the sheet shows the even distribution of light typical of a print.

Context

Agostino Veneziano was an Italian engraver of the Renaissance who worked in the shop of Marcantonio Raimondi, one of the most important reproductive engravers of the period. Ornamental prints like this one served artisans and decorators as models, and panels of this kind were often used as patterns for decorating furniture, metalwork, or architectural elements. The work can only be dated approximately, to the artist's active years between 1514 and 1536.

Impact

The symmetrical arrangement and delicate linework give the panel a remarkably balanced, harmonious feel. The many figures and ornaments create a decorative density that draws the eye into the layered structure of the image. The uniform monochrome and clear drawing lend the sheet a calm, technically accomplished presence.

Technique

As an engraving, the print belongs to intaglio: lines are cut into a copper plate, which is then filled with ink. Precise drawing and the finest detail distinguish this process, widely used in the Renaissance to reproduce artworks and ornaments. The even distribution of light results from the consistent depth of the engraved lines.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)