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Ornamental Panel (ca. 1514–36, Met-Objekt 5830)

Original title: Ornamental Panel

Artist
Agostino Veneziano (Agostino dei Musi)
Date
ca. 1514–36
Medium
Engraving
Dimensions
7 5/8 x 5 7/16 in. (19.4 x 13.8 cm)
Credit line
Harris Brisbane Dick Fund, 1924

kurzbeschreibung

This ornamental panel, engraved by Agostino Veneziano (Agostino dei Musi) between about 1514 and 1536, presents a symmetrical design filled with mythological and allegorical figures. Executed in black and white, the print measures 19.4 x 13.8 cm.

Description

A male figure, perhaps a god or a philosopher, occupies the center of the panel. He is surrounded by a host of putti and fanciful creatures in various poses: some hover, others squat or crouch. The layout is strictly symmetrical, with ornaments spreading upward and downward from the central figure. The style is fluid and lively, emphasized by clear contours and shading. Even lighting brings out the details of the figures and the decorative work.

Context

Agostino Veneziano, an Italian engraver of the Renaissance, worked in the workshop of Marcantonio Raimondi. He became known both for reproductive engravings after other artists and for his own ornamental inventions. This sheet was made in the first half of the 16th century, when demand for ornamental prints in Italy was particularly high. Such panels often served as models for craftsmen or as collector's items for art lovers.

Impact

The symmetrical arrangement and the numerous figures convey a calm, balanced impression. Yet the animated poses of the putti and mythological figures give the sheet a lively, almost narrative note. The monochrome design brings the precise linework and clear pictorial order to the fore.

Technique

The work was produced by engraving, in which lines are cut into a metal plate and then printed. The delicate contours and shading result from the varying depth and density of the engraved lines. Veneziano used this technique to achieve exact details and flowing transitions in the figures.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)