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← Agostino Veneziano (Agostino dei Musi) Agostino Veneziano (Agostino dei Musi) — Ornamental Panel (ca. 1514–36, Met-Objekt 5825)

Ornamental Panel (ca. 1514–36, Met-Objekt 5825)

Original title: Ornamental Panel

Artist
Agostino Veneziano (Agostino dei Musi)
Date
ca. 1514–36
Medium
Engraving
Dimensions
8 1/8 x 5 9/16 in. (20.6 x 14.2 cm)
Credit line
Harris Brisbane Dick Fund, 1924

kurzbeschreibung

This engraving by Agostino Veneziano, known as Agostino dei Musi, dates from his active years between about 1514 and 1536. Titled Ornamentale Tafel, the sheet measures 20.6 x 14.2 cm and features a seated central figure surrounded by cherubs and mythological creatures woven into a dense ornamental framework. The medium is engraving.

Description

A seated figure anchors the panel, while several cherubs and other mythological beings spread across the entire field. Some fly, others kneel or crouch, their varied poses combining into a lively arrangement. The ornament encloses the central figure and runs evenly over the whole support. The image remains monochrome; sharp, clear lines dominate, with light and shadow brought out by the engraved technique so that contours and details stand forth. Human and animal forms unite in a layout that feels both harmonious and dynamic.

Context

Agostino Veneziano, an Italian Renaissance engraver, worked in the workshop of Marcantonio Raimondi. Created in the first half of the 16th century, the print belongs to a period when ornamental engravings circulated widely as models for decorative arts and craftwork. Veneziano produced numerous reproductive engravings after designs by artists such as Raphael and Giulio Romano. No exact date is known for this work, but it falls within the artist's active period between 1514 and 1536.

Impact

The precisely guided lines and symmetrical distribution of figures give the sheet a calm, balanced presence. The dense ornamentation invites close looking and reveals the engraver's high level of craftsmanship. Decorative and narrative at once, the image conveys no specific action.

Technique

For this engraving, lines were incised into a metal plate and then printed. This method allows fine, even lines and accurate reproduction of details and shading. The monochrome printing process emphasizes the contours and ornamental structure of the design.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)