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← Marcantonio Raimondi Marcantonio Raimondi — A Plague Scene at Right, a Man at Left Holding a Torch Illuminating Part of the Scene at Left, Sick People at the Right

A Plague Scene at Right, a Man at Left Holding a Torch Illuminating Part of the Scene at Left, Sick People at the Right

Original title: A plague scene at right, a man at left holding a torch illuminating part of the scene at left, sick people at the right

Artist
Marcantonio Raimondi
Date
ca. 1515–16
Medium
Engraving (heavily reworked)
Dimensions
Sheet: 7 13/16 × 9 3/4 in. (19.9 × 24.7 cm)
Credit line
Gift of Henry Walters, 1917

kurzbeschreibung

A man raises a torch over the sick: Marcantonio Raimondi's Pest Scene, from about 1515–16, gathers plague victims around a single source of light. The engraving, heavily reworked at a later stage, measures 19.9 × 24.7 cm.

Description

At the front a figure holds the torch aloft, and its glare falls across the sufferers. Several of the sick lie on the ground to the right, while others sit or stand with faces contorted by pain. A woman carries a child in her arms, and the child too looks ill. Further back a woman lies in bed with a child, apparently also marked by the disease. Animals appear on the ground, hinting that the illness has spread to the animal world as well.

Context

Plague was a constant presence in sixteenth-century Europe and often found its way into art. Raimondi, a Renaissance engraver, was best known for his reproductive prints after Raphael. Who commissioned the Pest Scene, or on what occasion it was made, is not recorded. The heavy reworking of the print points to later treatment of the plate.

Impact

The scene feels dark and oppressive, and the torchlight only heightens that impression. The deliberate ordering of the figures and the precise account of suffering leave a strong mark on the viewer.

Technique

As an engraving, this is an intaglio print: the lines are cut into a metal plate. That the plate was heavily reworked suggests later alterations or a refreshing of the image. The gradations of grey come from differences in the density and depth of the engraved lines.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)