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← Marcantonio Raimondi Marcantonio Raimondi — Prudence personified by a woman standing in a niche, holding a shawl in her right hand, a snake coiled around her left, from "The Virtues"

Prudence personified by a woman standing in a niche, holding a shawl in her right hand, a snake coiled around her left, from "The Virtues"

Original title: Prudence personified by a woman standing in a niche, holding a shawl in her right hand, a snake coiled around her left, from "The Virtues"

Artist
Marcantonio Raimondi
Date
ca. 1515–25
Medium
Engraving
Dimensions
8 11/16 x 4 1/4 in. (22.0 x 10.8 cm)
Credit line
Harris Brisbane Dick Fund, 1926

kurzbeschreibung

This print from Marcantonio Raimondi's series The Virtues, made around 1515–25, presents Prudence (Prudentia) as a standing woman in a niche. She holds a scarf in her right hand, and a snake is wound around her left arm. The image is a fine example of Renaissance printmaking.

Description

At the center of an architecturally framed niche stands the figure, bare except for a scarf that plays around her shoulders and hips. Her long hair is braided at the back. Her right hand grasps the fabric, while her left holds a staff around which the snake coils. The arrangement feels balanced and ordered toward the middle; frontal light picks out the contours of the body.

Context

Raimondi, an Italian engraver of the Renaissance, was known above all for reproductive engravings after Raphael and other masters. The series The Virtues belongs to an era when allegorical subjects were widely circulated. Active in Rome, Raimondi did much to spread the style of the High Renaissance through print. Nothing is recorded about the exact purpose of the series; probably it served artists as a model and collectors as a sought-after sheet.

Impact

Clearly structured and symmetrical, the figure gains almost sculptural physicality through precise linework. The niche encloses the personification and creates a calm, dignified mood. Snake and scarf add a layer of symbolic meaning that invites reflection on the virtue of prudence.

Technique

This print was made as an engraving, with lines cut into a metal plate from which impressions could be pulled. The method allows fine shading and detailed structures, as can be seen in the hair and cloth. Raimondi used it to achieve exact contours and graduated tonal values characteristic of Renaissance printmaking.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)