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← Marco Dente Marco Dente — The Annunciation (ca. 1515–27)

The Annunciation (ca. 1515–27)

Original title: The Annunciation; the archangel Gabriel at left approaching the Virgin kneeling in prayer at right, God the Father in the upper left

Artist
Marco Dente
Date
ca. 1515–27
Medium
Engraving
Dimensions
Sheet (Trimmed): 11 3/8 × 10 1/4 in. (28.9 × 26.1 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949

kurzbeschreibung

Marco Dente's engraving, made between about 1515 and 1527, presents the Annunciation: the archangel Gabriel approaches from the left toward Mary, who kneels in prayer, while above her the heavens open and God the Father appears among the clouds. The biblical event is set within a richly furnished interior and rendered in finely graded tones of grey.

Description

Your eye travels along Gabriel's outstretched arm, which reaches from the left toward Mary, kneeling at the right and wholly absorbed in prayer. God the Father hovers above the scene, surrounded by a host of angels. An open doorway and a decoratively gathered curtain divide the room, whose floor is covered with a tile pattern. Contours and shadows stand out clearly in the monochrome greys, while delicate hatching and cross-hatching model the folds of the garments and the bodies of the figures.

Context

The Italian engraver Marco Dente, at home in the art of Renaissance Rome, produced this sheet in the first half of the sixteenth century, probably after a design by Raphael, to whose workshop he was close. The Annunciation was one of the central subjects of Christian iconography and took many artistic forms during the High Renaissance. Dente's work stayed closely aligned with antiquity and with Raphael's compositions.

Impact

Calm and solemnity emanate from the clear, balanced arrangement in which angel and Mary meet. The precisely placed hatching gives the figures a tangible physical presence that remains vivid without colour. The viewer is drawn, as it were, into the quiet moment of their exchange.

Technique

A burin cut the lines into the copper plate; fine hatching and crossing layers of strokes produce graduated greys from which light and shadow emerge. The plate was then inked with printer's black and printed onto paper. The trimmed sheet measures 28.9 × 26.1 cm.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)