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← Marco Dente Marco Dente — God appearing to Isaac; God floating in clouds pointing toward Rebecca seated under a tree at left, Isaac kneeling in the center holding a large stick and also pointing to Rebecca

God appearing to Isaac; God floating in clouds pointing toward Rebecca seated under a tree at left, Isaac kneeling in the center holding a large stick and also pointing to Rebecca

Original title: God appearing to Isaac; God floating in clouds pointing toward Rebecca seated under a tree at left, Isaac kneeling in the center holding a large stick and also pointing to Rebecca

Artist
Marco Dente
Date
ca. 1515–27
Medium
Engraving
Dimensions
Sheet (Trimmed): 8 1/16 × 9 5/16 in. (20.5 × 23.7 cm)
Credit line
Harris Brisbane Dick Fund, 1930

kurzbeschreibung

Engraved by Marco Dente between about 1515 and 1527, God Appears to Isaac illustrates the biblical episode in which God descends from the clouds and points to Rebekah, while Isaac kneels at the center of the image. The print is a careful engraving with a clear, orderly arrangement of figures.

Description

Isaac kneels on a small rise, holding a long staff, his gaze directed toward a woman seated beneath a tree at the left—presumably Rebekah. Above them God appears in clouds, one hand extended toward Rebekah and the other pointing downward. A fortress and additional trees create depth in the distance. The view is rich in detail yet clearly structured; light falls evenly, without strong shadows. Gray tones dominate the palette, as is typical of an engraving.

Context

The Italian Renaissance engraver Marco Dente produced this sheet in the first third of the sixteenth century. It belongs among the reproductive prints that brought biblical subjects to a wider audience. The layout follows the High Renaissance tradition, which emphasizes legibility and idealized figures.

Impact

The episode feels calm and solemn; God's appearance is emphasized by the clouds and his gesture. The balanced arrangement of the figures and the richly detailed setting contribute to a collected, contemplative mood.

Technique

For this engraving, lines were incised into a copper plate and then printed on paper. Fine hatching and precise linework allow for high detail and a nuanced gray scale.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)