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← Raphael (Raffaello Sanzio or Santi) Raphael (Raffaello Sanzio or Santi) — Head of an Apostle Surrounded by a Tongue of Fire and a Nimbus: Fragment of a Cartoon for a Descent of the Holy Spirit

Head of an Apostle Surrounded by a Tongue of Fire and a Nimbus: Fragment of a Cartoon for a Descent of the Holy Spirit

Original title: Head of an Apostle Surrounded by a Tongue of Fire and a Nimbus: Fragment of a Cartoon for a Descent of the Holy Spirit

Artist
Raphael (Raffaello Sanzio or Santi)
Date
1500–50
Medium
Brush, yellow, orange, brown, cream, and white gouache
Dimensions
10-1/4 x 10-7/8 in. (26.0 x 27.7 cm)
Credit line
Gift of John W. Lisle, in memory of his father, Joseph William Lisle, 1922

kurzbeschreibung

This fragment of a cartoon, dated between 1500 and 1550, is associated with Raphael (Raffaello Sanzio or Santi). It shows the head of an apostle surrounded by a tongue of fire and a halo. The sheet was executed with brush and gouache in yellow, orange, brown, cream, and white.

Description

A stylized tongue of fire, set within a halo, dominates the fragment. Orange, yellow, brown, and gray give the tongue a sense of movement. The halo appears in soft cream and stands out against the darker ground. The layout is centrally aligned, with the tongue of fire as the main motif. Apart from it and the halo, no figures or objects are visible.

Context

This cartoon was created as a design for a Pentecost picture on the subject of the Descent of the Holy Spirit. In the Renaissance, such cartoons served as models for execution in fresco or other media. The fragment belongs to a series intended for an unspecified church or chapel. The wide dating between 1500 and 1550 is explained by the possibility that the work was completed by pupils after Raphael's death.

Impact

The muted colors and the central motif evoke a mystical, devotional mood. Through the color gradations, the tongue of fire appears alive and lends the fragment spiritual intensity. The contrast between the bright halo and the dark background directs the gaze to the divine sign.

Technique

Brush and gouache on paper were used here, with yellow, orange, brown, cream, and white. The gouache technique allowed fine gradations and an opaque color effect suitable for cartoon designs. The brushwork shows precise contouring of the tongue of fire and the halo.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)