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← Wenceslaus Hollar Wenceslaus Hollar — Male head in profile to left with muscles exposed

Male head in profile to left with muscles exposed

Original title: Male head in profile to left with muscles exposed

Artist
Wenceslaus Hollar
Date
1660
Medium
Etching; only state
Dimensions
3 3/16 x 2 1/4 in. (8.1 x 5.7 cm) (trimmed to plate line)
Credit line
Purchase, Joseph Pulitzer Bequest, 1917

kurzbeschreibung

A man's head in profile, with the muscles of the face and neck laid bare: this etching by Wenceslaus Hollar dates from 1660. The print, known in a single state, measures 8.1 x 5.7 cm and has been trimmed to the plate mark.

Description

Facing left, the head fills almost the entire image area. Fine strokes model the musculature of face and neck; shadows and contours arise from closely spaced hatching. The skull is bald, the lids and brows of the eye area are distinctly worked out, and the ear is clearly outlined. The background remains sparse, directing attention to the anatomical details. No other pictorial elements are present; the arrangement is centrally aligned.

Context

The etching was made in 1660, when anatomical studies were gaining increasing importance in art. Hollar, a Bohemian printmaker, produced numerous reproductive engravings after works by famous artists, including drawings by Leonardo da Vinci. This print is based on an anatomical study sheet by Leonardo concerned with the rendering of musculature. Such sheets served artists and anatomists as references for depicting the human body.

Impact

The subject stands out clearly and objectively; anatomical precision combines with aesthetic simplicity. The fine lines and reduced layout create a calm, concentrated mood that draws the eye to the structure of the human face. The view appears at once scientific and artistic.

Technique

For this etching, the drawing was scratched with a fine needle into an acid-resistant ground on a copper plate and then etched. Hollar used the fine needle to produce precise lines and hatching that model the muscle structures. Printing was in black on paper; the plate mark defines the edge of the image.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)