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← Wenceslaus Hollar Wenceslaus Hollar — Head of a bald man in profile to left

Head of a bald man in profile to left

Original title: Head of a bald man in profile to left

Artist
Wenceslaus Hollar
Date
1644–52
Medium
Etching; only state
Dimensions
Plate: 3 1/8 × 2 3/8 in. (7.9 × 6 cm)
Credit line
Purchase, Joseph Pulitzer Bequest, 1917

kurzbeschreibung

Wenceslaus Hollar made this etching between 1644 and 1652. It shows the head of a bald man turned to the left. The print survives in a single state only and measures 7.9 × 6 cm. What we see is a plain portrait study that needs no setting beyond the bare plate.

Description

Seen from the side, the man's left face and neck fill the plate. The prominent nose catches the eye, along with a slightly parted corner of the mouth and an ear drawn with real attention. Line weight shifts constantly across the head, building a dense texture. A handwritten note, probably the artist's name and the year, sits at the upper right. Everything else stays empty, so the profile holds the attention.

Context

Behind this etching stands Wenceslaus Hollar, a Bohemian printmaker who worked in England and on the Continent during the seventeenth century. Portrait studies and character heads were valued as an art form in their own right at the time. Hollar produced many such studies, often serving as preparatory material for larger works or as collectors' items. What exactly this sheet was made for is not recorded, but it belongs to his extensive output as a printmaker.

Impact

Quiet concentration comes across at once, carried by precise linework and a strict economy of means. The empty ground deepens the intimacy of the portrait, while the detailed texture gives the face an almost tangible presence. Taken together, the sheet leaves an impression of sober observation and sure craft.

Technique

This is an etching: the lines were cut into a printing plate that acid then bit. Differences in line strength come from how deep and how wide the etched lines are, and the image was transferred to paper with printing ink. Only one state exists, meaning there were no later reworkings or editions.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)