Art Archive

← Charles Blanc Charles Blanc — Portrait of Rembrandt

Portrait of Rembrandt

Original title: Portrait of Rembrandt

Artist
Charles Blanc
Date
1859
Medium
Drypoint
Dimensions
Sheet: 11 in. × 7 1/2 in. (28 × 19.1 cm)
Credit line
Harris Brisbane Dick Fund, 1917

kurzbeschreibung

Charles Blanc portrayed Rembrandt in profile in 1859, working as a drypoint on paper measuring 28 by 19.1 cm. The short stubble of the beard and the curling hair are both distinctly drawn out.

Description

Rembrandt's head turns slightly to the left, shown in profile. Short beard stubble and curly hair falling over the shoulder are rendered in detail. A jacket with a collar and a necklace can be made out. The background stays plain, pushing the face forward. Along the bottom appear the initials "Rembrandt," the year "1859," the signature "Charles Blanc f 1859," and the inscription "Imp d'Delatire Paris."

Context

Charles Blanc, a French art critic and art historian, engaged closely with Rembrandt's work. This portrait came about in 1859, when Rembrandt was regarded in France as a master of the Baroque. It was presumably intended for Blanc's art-historical publications, in which he paid tribute to Rembrandt's life and work. The sheet was printed at Delâtre in Paris, a workshop well known at the time for etchings and drypoints.

Impact

Delicate lines and even lighting give the print a calm, concentrated mood. The profile view brings out Rembrandt's striking features, lending the portrait a classical, almost medallion-like dignity. With the background kept plain, attention settles entirely on the sitter's personality.

Technique

In drypoint the lines are scratched directly into the copper plate. Fine hatching and strokes work out the face and clothing in detail. Light falls evenly, without harsh shadows, a characteristic trait of this technique.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)