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← Rembrandt (Rembrandt van Rijn) Rembrandt (Rembrandt van Rijn) — The Standard Bearer (probably Floris Soop, 1604–1657)

The Standard Bearer (probably Floris Soop, 1604–1657)

Original title: The Standard Bearer (probably Floris Soop, 1604–1657)

Artist
Rembrandt (Rembrandt van Rijn)
Date
1654
Medium
Oil on canvas
Dimensions
55 1/4 × 45 1/4 in. (140.3 × 114.9 cm)
Credit line
The Jules Bache Collection, 1949

kurzbeschreibung

Unlike many contemporary portraits of standard-bearers that show the sitter in action, Rembrandt presents a standing man in precious clothing with a standard. Painted in 1654, the picture is probably a portrait of Floris Soop and is executed in oil on canvas. The figure stands out clearly against a dark, blurred background.

Description

A dark garment with gold ornaments and a gold shoulder chain define the man's attire. On his head he wears a black hat adorned with a white feather. In his right hand he holds a long staff or spear. The upright, serious posture suggests a formal occasion. Side lighting models the facial features and the textures of the fabrics. The palette remains mostly muted and dark, interspersed with accents of gold and white.

Context

In the mid-seventeenth century, when the Dutch had consolidated their independence, standard-bearers were important in civic guards and militias. Portraits like this one served to represent civic power. The attribution to Floris Soop rests on later provenance information and is not considered fully certain. The work falls in Rembrandt's later career, when he turned increasingly to psychologically deepened portrayals of individuals.

Impact

Dignity and self-assurance mark the standard-bearer's appearance, emphasized by his upright stance and precious accoutrements. The dark surroundings and side lighting create an intimate, almost solemn mood that draws the eye to the person. A quiet authority emanates from the picture, characteristic of Rembrandt's portraiture.

Technique

Oil on canvas forms the base. With fine brushstrokes Rembrandt renders the texture of fabric and metal in detail. Glazes and impasto highlights create the lighting and give the picture depth and sheen. The muted palette with gold and white accents demonstrates his mastery of tonal painting.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)