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← Josiah Boydell Josiah Boydell — Regnier Hansloe, an Anabaptist Minister, and His Wife (Cornelis Claesz Anslo and His Wife Aeltje Gerritsdr Schouten)

Regnier Hansloe, an Anabaptist Minister, and His Wife (Cornelis Claesz Anslo and His Wife Aeltje Gerritsdr Schouten)

Original title: Regnier Hansloe, an Anabaptist Minister, and His Wife (Cornelis Claesz Anslo and His Wife Aeltje Gerritsdr Schouten)

Artist
Josiah Boydell
Date
May 1, 1781
Medium
Etching and mezzotint; second state of two
Dimensions
Plate: 17 1/2 × 20 15/16 in. (44.4 × 53.2 cm) Sheet: 17 13/16 × 21 9/16 in. (45.2 × 54.8 cm)
Credit line
Gift of Bonnie and Manuel Schonhorn, 2012

kurzbeschreibung

Josiah Boydell's 1781 print reproduces a double portrait: the Anabaptist preacher Regnier Hansloe with his wife. Executed as an etching and mezzotint, it is the second of two states and derives from a seventeenth-century painting. The two figures appear in an intimate interior.

Description

A man in a wide-brimmed hat and a dark, fur-trimmed jacket sits on a chair, his right hand making a gesture. Facing him, a woman in a conventional head covering and dark gown has taken her place. A wall sconce with a candle provides light; behind it, curtains and a window come into view. On the table between them lie books and a sheet of paper. The entire arrangement remains in shades of grey.

Context

Boydell worked from a painting by Rembrandt showing the Mennonite preacher Cornelis Claesz Anslo with his wife. The date 1 May 1781 falls in an era when reproductive printmaking brought works by old masters to a wider public. The title's reference to Regnier Hansloe rests on a misattribution of the time.

Impact

Candlelight and the man's hand movement contribute to a quiet, intimate mood. Because the print works solely in grey tones, the expressions and the dialogue between the two figures come to the fore; the view thus gains a narrative and lively quality.

Technique

Etching and mezzotint interlock: the etching supplies the fine lines, the mezzotint the soft tonal gradations. In the second state the plate appears reworked, sharpening details and contrasts. The print is on paper; the plate mark measures about 44.4 × 53.2 cm.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)