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← Rembrandt (Rembrandt van Rijn) Rembrandt (Rembrandt van Rijn) — Sheet of Studies with a Woman Lying Ill in Bed, etc.

Sheet of Studies with a Woman Lying Ill in Bed, etc.

Original title: Sheet of Studies with a Woman Lying Ill in Bed, etc.

Artist
Rembrandt (Rembrandt van Rijn)
Date
ca. 1641/42
Medium
Etching
Credit line
Harris Brisbane Dick Fund and Bequest of Clifford A. Furst, by exchange

kurzbeschreibung

Rembrandt van Rijn made this etching around 1641/42 as a sheet of several figure studies. At the top a sick woman lies in bed while someone watches over her with a staff or instrument; below, two men stand in historical dress. The print is in black and white and works through line drawing.

Description

In the upper part a woman wearing a head covering rests on a bed, and beside her a figure holds a staff-like object. Beneath them are two men in hats and jackets, talking to each other or turning their gaze toward something. Fine hatching shapes the figures in black and white, while the ground stays bare so the bodies stand out clearly. The way the figures are spread across the sheet suggests a narrative situation without any single action being carried through.

Context

The sheet was made in Amsterdam around 1641/42, a period when Rembrandt was experimenting widely in printmaking. It probably served as preparatory work for larger pieces or as an exercise in drawing figures. Collectors valued such sheets, and they show his fondness for everyday, intimate scenes. Within his extensive printed work, this etching belongs to the pieces with which he steadily expanded his oeuvre during those years.

Impact

The layout comes across as calm and observant, without dramatic gestures. Illness set beside an everyday scene gives a pensive mood. Through the delicate linework the sheet feels intimate, almost like a sketch.

Technique

For this etching the drawing was transferred onto an etched copper plate. The lines are fine and precise, as is characteristic of Rembrandt's etching technique in these years. The black-and-white tones emerge when the etched plate is printed onto paper.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)